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3486 lines
144 KiB
Plaintext
3486 lines
144 KiB
Plaintext
Security Commissioner Paddington rapidly climbed the front steps and
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entered the Council building. Council guards stepped quickly aside and
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he entered the familiar place of great whirring machines. His thin
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face rapt, eyes alight with emotion, Paddington gazed intently up at the
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central SRB computer, studying its reading.
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"Straight gain for the last quarter," observed Jeremy, the lab
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organizer. He grinned proudly, as if personally responsible. "Not bad,
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Commissioner."
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"We're catching up to them," Paddington retorted. "But too damn slowly.
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We must finally go over--and soon."
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Jeremy was in a talkative mood. "We design new offensive weapons, they
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counter with improved defenses. And nothing is actually made!
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Continual improvement, but neither we nor Jorblax can stop designing
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long enough to stabilize for production."
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"It will end," Paddington stated coldly, "as soon as Terra turns out a
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weapon for which Jorblax can build no defense."
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"Every weapon has a defense. Design and discord. Immediate
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obsolescence. Nothing lasts long enough to--"
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"What we count on is the _lag_," Paddington broke in, annoyed. His hard
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gray eyes bored into the lab organizer and Jeremy slunk back. "The
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time lag between our offensive design and their counter development.
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The lag varies." He waved impatiently toward the massed banks of SRB
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machines. "As you well know."
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At this moment, 9:30 AM, May 7, 2136, the statistical ratio on the SRB
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machines stood at 21-17 on the Jorblaxian side of the ledger. All facts
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considered, the odds favored a successful repulsion by
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Jorblax of a Terran military attack. The ratio was based on the
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total information known to the SRB machines, on a gestalt of the vast
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flow of data that poured in endlessly from all sectors of the Sol and
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Jorblax systems.
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21-17 on the Jorblaxian side. But a month ago it had been 24-18 in the
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enemy's favor. Things were improving, slowly but steadily. Jorblax,
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older and less virile than Terra, was unable to match Terra's rate of
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technocratic advance. Terra was pulling ahead.
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"If we went to war now," Paddington said thoughtfully, "we would lose.
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We're not far enough along to risk an overt attack." A harsh, ruthless
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glow twisted across his handsome features, distorting them into a
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stern mask. "But the odds are moving in our favor. Our offensive
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designs are gradually gaining on their defenses."
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"Let's hope the war comes soon," Jeremy agreed. "We're all on edge.
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This damn waiting...."
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The war would come soon. Paddington knew it intuitively. The air was
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full of tension, the _elan_. He left the SRB rooms and hurried down
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the corridor to his own elaborately guarded office in the Security
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wing. It wouldn't be long. He could practically feel the hot breath of
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destiny on his neck--for him a pleasant feeling. His thin lips set in
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a humorless smile, showing an even line of white teeth against his
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tanned skin. It made him feel good, all right. He'd been working at it
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a long time.
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First contact, a hundred years earlier, had ignited instant conflict
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between Jorblaxian outposts and exploring Terran raiders. Flash
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fights, sudden eruptions of fire and energy beams.
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And then the long, dreary years of inaction between enemies where
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contact required years of travel, even at nearly the speed of light.
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The two systems were evenly matched. Screen against screen. Warship
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against power station. The Jorblaxian Empire surrounded Terra, an iron
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ring that couldn't be broken, rusty and corroded as it was. Radical
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new weapons had to be conceived, if Terra was to break out.
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Through the windows of his office, Paddington could see endless
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buildings and streets, Terrans hurrying back and forth. Bright specks
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that were commute ships, little eggs that carried businessmen and
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white-collar workers around. The huge transport tubes that shot masses
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of workmen to factories and labor camps from their housing units. All
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these people, waiting to break out. Waiting for the day.
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Paddington snapped on his vidscreen, the confidential channel. "Give me
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Military Designs," he ordered sharply.
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* * * * *
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He sat tense, his wiry body taut, as the vidscreen warmed into life.
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Abruptly he was facing the hulking image of Peter Gibson, director
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of the vast network of labs under the Ural Mountains.
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Gibson's great bearded features hardened as he recognized Paddington.
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His bushy black eyebrows pulled up in a sullen line. "What do you
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want? You know I'm busy. We have too much work to do, as it is.
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Without being bothered by--politicians."
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"I'm dropping over your way," Paddington answered lazily. He adjusted
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the cuff of his immaculate gray cloak. "I want a full description of
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your work and whatever progress you've made."
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"You'll find a regular departmental report plate filed in the usual
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way, around your office someplace. If you'll refer to that you'll know
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exactly what we--"
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"I'm not interested in that. I want to _see_ what you're doing. And I
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expect you to be prepared to describe your work fully. I'll be there
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shortly. Half an hour."
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* * * * *
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Paddington cut the circuit. Gibson's heavy features dwindled and
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faded. Paddington relaxed, letting his breath out. Too bad he had to
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work with Gibson. He had never liked the man. The big Polish
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scientist was an individualist, refusing to integrate himself with
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society. Independent, atomistic in outlook. He held concepts of the
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individual as an end, diametrically contrary to the accepted organic
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state Weltansicht.
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But Gibson was the leading research scientist, in charge of the
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Military Designs Department. And on Designs the whole future of Terra
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depended. Victory over Jorblax--or more waiting, bottled up in the
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Sol System, surrounded by a rotting, hostile Empire, now sinking into
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ruin and decay, yet still strong.
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Paddington got quickly to his feet and left the office. He hurried down
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the hall and out of the Council building.
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A few minutes later he was heading across the mid-morning sky in his
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highspeed cruiser, toward the Asiatic land-mass, the vast Ural
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mountain range. Toward the Military Designs labs.
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Gibson met him at the entrance. "Look here, Paddington. Don't think
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you're going to order me around. I'm not going to--"
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"Take it easy." Paddington fell into step beside the bigger man. They
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passed through the check and into the auxiliary labs. "No immediate
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coercion will be exerted over you or your staff. You're free to
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continue your work as you see fit--for the present. Let's get this
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straight. My concern is to integrate your work with our total social
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needs. As long as your work is sufficiently productive--"
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Paddington stopped in his tracks.
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"Pretty, isn't he?" Gibson said ironically.
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"What the hell is it?
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"Icarus, we call him. Remember the Greek myth? The legend of Icarus.
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Icarus flew.... This Icarus is going to fly, one of these days."
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Gibson shrugged. "You can examine him, if you want. I suppose this
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is what you came here to see."
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Paddington advanced slowly. "This is the weapon you've been working on?"
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"How does he look?"
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Rising up in the center of the chamber was a squat metal cylinder, a
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great ugly cone of dark gray. Technicians circled around it, wiring up
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the exposed relay banks. Paddington caught a glimpse of endless tubes
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and filaments, a maze of wires and terminals and parts criss-crossing
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each other, layer on layer.
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"What is it?" Paddington perched on the edge of a workbench, leaning his
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big shoulders against the wall. "An idea of Douglas West--the same
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man who developed our instantaneous interstellar vidcasts forty years
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ago. He was trying to find a method of faster than light travel when
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he was killed, destroyed along with most of his work. After that ftl
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research was abandoned. It looked as if there were no future in it."
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"Wasn't it shown that nothing could travel faster than light?"
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"The interstellar vidcasts do! No, West developed a valid ftl drive.
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He managed to propel an object at fifty times the speed of light. But
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as the object gained speed, its length began to diminish and its mass
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increased. This was in line with familiar twentieth-century concepts
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of mass-energy transformation. We conjectured that as West's object
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gained velocity it would continue to lose length and gain mass until
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its length became nil and its mass infinite. Nobody can imagine such
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an object."
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"Go on."
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"But what actually occurred is this. West's object continued to lose
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length and gain mass until it reached the theoretical limit of
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velocity, the speed of light. At that point the object, still gaining
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speed, simply ceased to exist. Having no length, it ceased to occupy
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space. It disappeared. However, the object had not been _destroyed_.
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It continued on its way, gaining momentum each moment, moving in an
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arc across the galaxy, away from the Sol system. West's object
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entered some other realm of being, beyond our powers of conception.
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The next phase of West's experiment consisted in a search for some
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way to slow the ftl object down, back to a sub-ftl speed, hence back
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into our universe. This counterprinciple was eventually worked out."
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"With what result?"
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"The death of West and destruction of most of his equipment. His
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experimental object, in re-entering the space-time universe, came into
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being in space already occupied by matter. Possessing an incredible
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mass, just below infinity level, West's object exploded in a titanic
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cataclysm. It was obvious that no space travel was possible with such
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a drive. Virtually all space contains _some_ matter. To re-enter space
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would bring automatic destruction. West had found his ftl drive and
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his counterprinciple, but no one before this has been able to put them
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to any use."
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Paddington walked over toward the great metal cylinder. Gibson jumped
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down and followed him. "I don't get it," Paddington said. "You said the
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principle is no good for space travel."
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"That's right."
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"What's this for, then? If the ship explodes as soon as it returns to
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our universe--"
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"This is not a ship." Gibson grinned slyly. "Icarus is the first
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practical application of West's principles. Icarus is a bomb."
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"So this is our weapon," Paddington said. "A bomb. An immense bomb."
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"A bomb, moving at a velocity greater than light. A bomb which will
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not exist in our universe. The Jorblaxians won't be able to detect or
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stop it. How could they? As soon as it passes the speed of light it
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will cease to exist--beyond all detection."
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"But--"
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"Icarus will be launched outside the lab, on the surface. He will
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align himself with Jorblax, gaining speed rapidly. By the
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time he reaches his destination he will be traveling at ftl-100.
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Icarus will be brought back to this universe within Jorblax itself.
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The explosion should destroy the star and wash away most of its
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planets--including their central hub-planet, Armun. There is no way
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they can halt Icarus, once he has been launched. No defense is
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possible. Nothing can stop him. It is a real fact."
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"When will he be ready?"
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Gibson's eyes flickered. "Soon."
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"Exactly how soon?"
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The big Pole hesitated. "As a matter of fact, there's only one thing
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holding us back."
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Gibson led Paddington around to the other side of the lab. He pushed a
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lab guard out of the way.
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"See this?" He tapped a round globe, open at one end, the size of a
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grapefruit. "This is holding us up."
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"What is it?"
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"The central control turret. This thing brings Icarus back to sub-ftl
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flight at the correct moment. It must be absolutely accurate. Icarus
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will be within the star only a matter of a microsecond. If the turret
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does not function exactly, Icarus will pass out the other side and
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shoot beyond the Jorblaxian system."
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"How near completed is this turret?"
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Gibson hedged uncertainly, spreading out his big hands. "Who can
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say? It must be wired with infinitely minute equipment--microscope
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grapples and wires invisible to the naked eye."
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"Can you name any completion date?"
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Gibson reached into his coat and brought out a manila folder. "I've
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drawn up the data for the SRB machines, giving a date of completion.
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You can go ahead and feed it. I entered ten days as the maximum
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period. The machines can work from that."
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Paddington accepted the folder cautiously. "You're sure about the date?
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I'm not convinced I can trust you, Gibson."
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Gibson's features darkened. "You'll have to take a chance,
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Commissioner. I don't trust you any more than you trust me. I know how
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much you'd like an excuse to get me out of here and one of your
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puppets in."
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Paddington studied the huge scientist thoughtfully. Gibson was going
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to be a hard nut to crack. Designs was responsible to Security, not
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the Council. Gibson was losing ground--but he was still a potential
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danger. Stubborn, individualistic, refusing to subordinate his welfare
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to the general good.
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"All right." Paddington put the folder slowly away in his coat. "I'll
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feed it. But you better be able to come through. There can't be any
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slip-ups. Too much hangs on the next few days."
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"If the odds change in our favor are you going to give the
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mobilization order?"
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"Yes," Paddington stated. "I'll give the order the moment I see the odds
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change."
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* * * * *
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Standing in front of the machines, Paddington waited nervously for the
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results. It was two o'clock in the afternoon. The day was warm, a
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pleasant May afternoon. Outside the building the daily life of the
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planet went on as usual.
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As usual? Not exactly. The feeling was in the air, an expanding
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excitement growing every day. Terra had waited a long time. The attack
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on Jorblax had to come--and the sooner the better. The
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ancient Jorblaxian Empire hemmed in Terra, bottled the human race up in
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its one system. A vast, suffocating net draped across the heavens,
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cutting Terra off from the bright diamonds beyond.... And it had to
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end.
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The SRB machines whirred, the visible combination disappearing. For a
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time no ratio showed. Paddington tensed, his body rigid. He waited.
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The new ratio appeared.
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Paddington gasped. 7-6. Toward Terra!
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Within five minutes the emergency mobilization alert had been flashed
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to all Government departments. The Council and President Wheeler had
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been called to immediate session. Everything was happening fast.
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But there was no doubt. 7-6. In Terra's favor. Paddington hurried
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frantically to get his papers in order, in time for the Council
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session.
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At histo-research the message plate was quickly pulled from the
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confidential slot and rushed across the central lab to the chief
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official.
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"Look at this!" Fredman dropped the plate on his superior's desk.
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"Look at it!"
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Goodwin picked up the plate, scanning it rapidly. "Sounds like the real
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thing. I didn't think we'd live to see it."
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Fredman left the room, hurrying down the hall. He entered the time
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bubble office. "Where's the bubble?" he demanded, looking around.
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One of the technicians looked slowly up. "Back about two hundred
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years. We're coming up with interesting data on the War of 1914.
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According to material the bubble has already brought up--"
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"Cut it. We're through with routine work. Get the bubble back to the
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present. From now on all equipment has to be free for Military work."
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"But--the bubble is regulated automatically."
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"You can bring it back manually."
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"It's risky." The technician hedged. "If the emergency requires it, I
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suppose we could take a chance and cut the automatic."
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"The emergency requires _everything_," Fredman said feelingly.
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"But the odds might change back," Margaret Wheeler, President of the
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Council, said nervously. "Any minute they can revert."
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"This is our chance!" Paddington snapped, his temper rising. "What the
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hell's the matter with you? We've waited years for this."
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The Council buzzed with excitement. Margaret Wheeler hesitated
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uncertainly, her blue eyes clouded with worry. "I realize the
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opportunity is here. At least, statistically. But the new odds have
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just appeared. How do we know they'll last? They stand on the basis of
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a single weapon."
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"You're wrong. You don't grasp the situation." Paddington held himself
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in check with great effort. "Gibson's weapon tipped the ratio in our
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favor. But the odds have been moving in our direction for months. It
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was only a question of time. The new balance was inevitable, sooner or
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later. It's not just Gibson. He's only one factor in this. It's all
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nine planets of the Sol System--not a single man."
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One of the Councilmen stood up. "The President must be aware the
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entire planet is eager to end this waiting. All our activities for the
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past eighty years have been directed toward--"
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Paddington moved close to the slender President of the Council. "If you
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don't approve the war, there probably will be mass rioting. Public
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reaction will be strong. Damn strong. And you know it."
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Margaret Wheeler shot him a cold glance. "You sent out the emergency
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order to force my hand. You were fully aware of what you were doing.
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You knew once the order was out there'd be no stopping things."
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A murmur rushed through the Council, gaining volume. "We have to
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approve the war!... We're committed!... It's too late to turn back!"
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Shouts, angry voices, insistent waves of sound lapped around Margaret
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Wheeler. "I'm as much for the war as anybody," she said sharply. "I'm
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only urging moderation. An inter-system war is a big thing. We're
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going to war because a machine says we have a statistical chance of
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winning."
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"There's no use starting the war unless we can win it," Paddington said.
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"The SRB machines tell us whether we can win."
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"They tell us our _chance_ of winning. They don't guarantee anything."
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"What more can we ask, beside a good chance of winning?"
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Margaret Wheeler clamped her jaw together tightly. "All right. I hear
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all the clamor. I won't stand in the way of Council approval. The vote
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can go ahead." Her cold, alert eyes appraised Paddington. "Especially
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since the emergency order has already been sent out to all Government
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departments."
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"Good." Paddington stepped away with relief. "Then it's settled. We can
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finally go ahead with full mobilization."
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Mobilization proceeded rapidly. The next forty-eight hours were alive
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with activity.
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Paddington attended a policy-level Military briefing in the Council
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rooms, conducted by Fleet Commander Tucker.
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"You can see our strategy," Tucker said. He traced a diagram on the
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blackboard with a wave of his hand. "Gibson states it'll take eight
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more days to complete the ftl bomb. During that time the fleet we have
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near the Jorblaxian system will take up positions. As the bomb goes off
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the fleet will begin operations against the remaining Jorblaxian ships.
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Many will no doubt survive the blast, but with Armun gone we should be
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able to handle them."
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Paddington took Commander Tucker's place. "I can report on the
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economic situation. Every factory on Terra is converted to arms
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production. With Armun out of the way we should be able to promote
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mass insurrection among the Jorblaxian colonies. An inter-system Empire
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is hard to maintain, even with ships that approach light speed. Local
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war-lords should pop up all over the place. We want to have weapons
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available for them and ships starting _now_ to reach them in time.
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Eventually we hope to provide a unifying principle around which the
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colonies can all collect. Our interest is more economic than
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political. They can have any kind of government they want, as long as
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they act as supply areas for us. As our eight system planets act now."
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Tucker resumed his report. "Once the Jorblaxian fleet has been
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scattered we can begin the crucial stage of the war. The landing of
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men and supplies from the ships we have waiting in all key areas
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throughout the Jorblaxian system. In this stage--"
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Paddington moved away. It was hard to believe only two days had passed
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since the mobilization order had been sent out. The whole system was
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alive, functioning with feverish activity. Countless problems were
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being solved--but much remained.
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He entered the lift and ascended to the SRB room, curious to see if
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there had been any change in the machines' reading. He found it the
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same. So far so good. Did the Jorblaxians know about Icarus? No doubt;
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but there wasn't anything they could do about it. At least, not in
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eight days.
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Jeremy came over to Paddington, sorting a new batch of data that had
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come in. The lab organizer searched through his data. "An amusing item
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came in. It might interest you." He handed a message plate to
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Paddington.
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It was from histo-research:
|
|
|
|
May 9, 2136
|
|
|
|
This is to report that in bringing the research time bubble up
|
|
to the present the manual return was used for the first time.
|
|
Therefore a clean break was not made, and a quantity of
|
|
material from the past was brought forward. This material
|
|
included an individual from the early twentieth century who
|
|
escaped from the lab immediately. He has not yet been taken
|
|
into protective custody. Histo-research regrets this incident,
|
|
but attributes it to the emergency.
|
|
|
|
E. Fredman
|
|
|
|
Paddington handed the plate back to Jeremy. "Interesting. A man from the
|
|
past--hauled into the middle of the biggest war the universe has
|
|
seen."
|
|
|
|
"Strange things happen. I wonder what the machines will think."
|
|
|
|
"Hard to say. Probably nothing." Paddington left the room and hurried
|
|
along the corridor to his own office.
|
|
|
|
As soon as he was inside he called Gibson on the vidscreen, using
|
|
the confidential line.
|
|
|
|
The Pole's heavy features appeared. "Good day, Commissioner. How's the
|
|
war effort?"
|
|
|
|
"Fine. How's the turret wiring proceeding?"
|
|
|
|
A faint frown flickered across Gibson's face. "As a matter of fact,
|
|
Commissioner--"
|
|
|
|
"What's the matter?" Paddington said sharply.
|
|
|
|
Gibson floundered. "You know how these things are. I've taken my
|
|
crew off it and tried robot workers. They have greater dexterity, but
|
|
they can't make decisions. This calls for more than mere dexterity.
|
|
This calls for--" He searched for the word. "--for an _artist_."
|
|
|
|
Paddington's face hardened. "Listen, Gibson. You have eight days left
|
|
to complete the bomb. The data given to the SRB machines contained
|
|
that information. The 7-6 ratio is based on that estimate. If you
|
|
don't come through--"
|
|
|
|
Gibson twisted in embarrassment. "Don't get excited, Commissioner.
|
|
We'll complete it."
|
|
|
|
"I hope so. Call me as soon as it's done." Paddington snapped off the
|
|
connection. If Gibson let them down he'd have him taken out and
|
|
shot. The whole war depended on the ftl bomb.
|
|
|
|
The vidscreen glowed again. Paddington snapped it on. Jeremy's face
|
|
formed on it. The lab organizer's face was pale and frozen.
|
|
"Commissioner, you better come up to the SRB office. Something's
|
|
happened."
|
|
|
|
"What is it?"
|
|
|
|
"I'll show you."
|
|
|
|
Alarmed, Paddington hurried out of his office and down the corridor. He
|
|
found Jeremy standing in front of the SRB machines. "What's the
|
|
story?" Paddington demanded. He glanced down at the reading. It was
|
|
unchanged.
|
|
|
|
Jeremy held up a message plate nervously. "A moment ago I fed this
|
|
into the machines. After I saw the results I quickly removed it. It's
|
|
that item I showed you. From histo-research. About the man from the
|
|
past."
|
|
|
|
"What happened when you fed it?"
|
|
|
|
Jeremy swallowed unhappily. "I'll show you. I'll do it again. Exactly
|
|
as before." He fed the plate into a moving intake belt. "Watch the
|
|
visible figures," Jeremy muttered.
|
|
|
|
Paddington watched, tense and rigid. For a moment nothing happened. 7-6
|
|
continued to show. Then--
|
|
|
|
The figures disappeared. The machines faltered. New figures showed
|
|
briefly. 4-24 for Jorblax. Paddington gasped, suddenly sick with
|
|
apprehension. But the figures vanished. New figures appeared. 16-38
|
|
for Jorblax. Then 48-86. 79-15 in Terra's favor. Then nothing. The
|
|
machines whirred, but nothing happened.
|
|
|
|
Nothing at all. No figures. Only a blank.
|
|
|
|
"What's it mean?" Paddington muttered, dazed.
|
|
|
|
"It's fantastic. We didn't think this could--"
|
|
|
|
"_What's happened?_"
|
|
|
|
"The machines aren't able to handle the item. No reading can come.
|
|
It's data they can't integrate. They can't use it for prediction
|
|
material, and it throws off all their other figures."
|
|
|
|
"Why?"
|
|
|
|
"It's--it's a variable." Jeremy was shaking, white-lipped and pale.
|
|
"Something from which no inference can be made. The man from the past.
|
|
The machines can't deal with him. The variable man!"
|
|
|
|
|
|
|
|
|
|
II
|
|
|
|
|
|
Edward Milsom was sharpening a knife with his whetstone when the tornado
|
|
hit.
|
|
|
|
The knife belonged to the lady in the big green house. Every time Milsom
|
|
came by with his Fixit cart the lady had something to be sharpened.
|
|
Once in awhile she gave him a cup of coffee, hot black coffee from an
|
|
old bent pot. He liked that fine; he enjoyed good coffee.
|
|
|
|
The day was drizzly and overcast. Business had been bad. An automobile
|
|
had scared his two horses. On bad days less people were outside and he
|
|
had to get down from the cart and go to ring doorbells.
|
|
|
|
But the man in the yellow house had given him a dollar for fixing his
|
|
electric refrigerator. Nobody else had been able to fix it, not even
|
|
the factory man. The dollar would go a long way. A dollar was a lot.
|
|
|
|
He knew it was a tornado even before it hit him. Everything was
|
|
silent. He was bent over his whetstone, the reins between his knees,
|
|
absorbed in his work.
|
|
|
|
He had done a good job on the knife; he was almost finished. He spat
|
|
on the blade and was holding it up to see--and then the tornado came.
|
|
|
|
All at once it was there, completely around him. Nothing but grayness.
|
|
He and the cart and horses seemed to be in a calm spot in the center
|
|
of the tornado. They were moving in a great silence, gray mist
|
|
everywhere.
|
|
|
|
And while he was wondering what to do, and how to get the lady's knife
|
|
back to her, all at once there was a bump and the tornado tipped him
|
|
over, sprawled out on the ground. The horses screamed in fear,
|
|
struggling to pick themselves up. Milsom got quickly to his feet.
|
|
|
|
_Where was he?_
|
|
|
|
The grayness was gone. White walls stuck up on all sides. A deep light
|
|
gleamed down, not daylight but something like it. The team was pulling
|
|
the cart on its side, dragging it along, tools and equipment falling
|
|
out. Milsom righted the cart, leaping up onto the seat.
|
|
|
|
And for the first time saw the people.
|
|
|
|
Men, with astonished white faces, in some sort of uniforms. Shouts,
|
|
noise and confusion. And a feeling of danger!
|
|
|
|
Milsom headed the team toward the door. Hoofs thundered steel against
|
|
steel as they pounded through the doorway, scattering the astonished
|
|
men in all directions. He was out in a wide hall. A building, like a
|
|
hospital.
|
|
|
|
The hall divided. More men were coming, spilling from all sides.
|
|
|
|
Shouting and milling in excitement, like white ants. Something cut
|
|
past him, a beam of dark violet. It seared off a corner of the cart,
|
|
leaving the wood smoking.
|
|
|
|
Milsom felt fear. He kicked at the terrified horses. They reached a big
|
|
door, crashing wildly against it. The door gave--and they were
|
|
outside, bright sunlight blinking down on them. For a sickening second
|
|
the cart tilted, almost turning over. Then the horses gained speed,
|
|
racing across an open field, toward a distant line of green, Milsom
|
|
holding tightly to the reins.
|
|
|
|
Behind him the little white-faced men had come out and were standing
|
|
in a group, gesturing frantically. He could hear their faint shrill
|
|
shouts.
|
|
|
|
But he had got away. He was safe. He slowed the horses down and began
|
|
to breathe again.
|
|
|
|
The woods were artificial. Some kind of park. But the park was wild
|
|
and overgrown. A dense jungle of twisted plants. Everything growing in
|
|
confusion.
|
|
|
|
The park was empty. No one was there. By the position of the sun he
|
|
could tell it was either early morning or late afternoon. The smell of
|
|
the flowers and grass, the dampness of the leaves, indicated morning.
|
|
It had been late afternoon when the tornado had picked him up. And the
|
|
sky had been overcast and cloudy.
|
|
|
|
Milsom considered. Clearly, he had been carried a long way. The
|
|
hospital, the men with white faces, the odd lighting, the accented
|
|
words he had caught--everything indicated he was no longer in
|
|
Nebraska--maybe not even in the United States.
|
|
|
|
Some of his tools had fallen out and gotten lost along the way. Milsom
|
|
collected everything that remained, sorting them, running his fingers
|
|
over each tool with affection. Some of the little chisels and wood
|
|
gouges were gone. The bit box had opened, and most of the smaller bits
|
|
had been lost. He gathered up those that remained and replaced them
|
|
tenderly in the box. He took a key-hole saw down, and with an oil rag
|
|
wiped it carefully and replaced it.
|
|
|
|
Above the cart the sun rose slowly in the sky. Milsom peered up, his
|
|
horny hand over his eyes. A big man, stoop-shouldered, his chin gray
|
|
and stubbled. His clothes wrinkled and dirty. But his eyes were clear,
|
|
a pale blue, and his hands were finely made.
|
|
|
|
He could not stay in the park. They had seen him ride that way; they
|
|
would be looking for him.
|
|
|
|
Far above something shot rapidly across the sky. A tiny black dot
|
|
moving with incredible haste. A second dot followed. The two dots were
|
|
gone almost before he saw them. They were utterly silent.
|
|
|
|
Milsom frowned, perturbed. The dots made him uneasy. He would have to
|
|
keep moving--and looking for food. His stomach was already beginning
|
|
to rumble and groan.
|
|
|
|
Work. There was plenty he could do: gardening, sharpening, grinding,
|
|
repair work on machines and clocks, fixing all kinds of household
|
|
things. Even painting and odd jobs and carpentry and chores.
|
|
|
|
He could do anything. Anything people wanted done. For a meal and
|
|
pocket money.
|
|
|
|
Edward Milsom urged the team into life, moving forward. He sat hunched
|
|
over in the seat, watching intently, as the Fixit cart rolled slowly
|
|
across the tangled grass, through the jungle of trees and flowers.
|
|
|
|
* * * * *
|
|
|
|
Paddington hurried, racing his cruiser at top speed, followed by a
|
|
second ship, a military escort. The ground sped by below him, a blur
|
|
of gray and green.
|
|
|
|
The remains of New York lay spread out, a twisted, blunted ruin
|
|
overgrown with weeds and grass. The great atomic wars of the twentieth
|
|
century had turned virtually the whole seaboard area into an endless
|
|
waste of slag.
|
|
|
|
Slag and weeds below him. And then the sudden tangle that had been
|
|
Central Park.
|
|
|
|
Histo-research came into sight. Paddington swooped down, bringing his
|
|
cruiser to rest at the small supply field behind the main buildings.
|
|
|
|
Goodwin, the chief official of the department, came quickly over as
|
|
soon as Paddington's ship landed.
|
|
|
|
"Frankly, we don't understand why you consider this matter important,"
|
|
Goodwin said uneasily.
|
|
|
|
Paddington shot him a cold glance. "I'll be the judge of what's
|
|
important. Are you the one who gave the order to bring the bubble back
|
|
manually?"
|
|
|
|
"Fredman gave the actual order. In line with your directive to have
|
|
all facilities ready for--"
|
|
|
|
Paddington headed toward the entrance of the research building. "Where
|
|
is Fredman?"
|
|
|
|
"Inside."
|
|
|
|
"I want to see him. Let's go."
|
|
|
|
Fredman met them inside. He greeted Paddington calmly, showing no
|
|
emotion. "Sorry to cause you trouble, Commissioner. We were trying to
|
|
get the station in order for the war. We wanted the bubble back as
|
|
quickly as possible." He eyed Paddington curiously. "No doubt the man
|
|
and his cart will soon be picked up by your police."
|
|
|
|
"I want to know everything that happened, in exact detail."
|
|
|
|
Fredman shifted uncomfortably. "There's not much to tell. I gave the
|
|
order to have the automatic setting canceled and the bubble brought
|
|
back manually. At the moment the signal reached it, the bubble was
|
|
passing through the spring of 1913. As it broke loose, it tore off a
|
|
piece of ground on which this person and his cart were located. The
|
|
person naturally was brought up to the present, inside the bubble."
|
|
|
|
"Didn't any of your instruments tell you the bubble was loaded?"
|
|
|
|
"We were too excited to take any readings. Half an hour after the
|
|
manual control was thrown, the bubble materialized in the observation
|
|
room. It was de-energized before anyone noticed what was inside. We
|
|
tried to stop him but he drove the cart out into the hall, bowling us
|
|
out of the way. The horses were in a panic."
|
|
|
|
"What kind of cart was it?"
|
|
|
|
"There was some kind of sign on it. Painted in black letters on both
|
|
sides. No one saw what it was."
|
|
|
|
"Go ahead. What happened then?"
|
|
|
|
"Somebody fired a Slem-ray after him, but it missed. The horses
|
|
carried him out of the building and onto the grounds. By the time we
|
|
reached the exit the cart was half way to the park."
|
|
|
|
Paddington reflected. "If he's still in the park we should have him
|
|
shortly. But we must be careful." He was already starting back toward
|
|
his ship, leaving Fredman behind. Goodwin fell in beside him.
|
|
|
|
Paddington halted by his ship. He beckoned some Government guards over.
|
|
"Put the executive staff of this department under arrest. I'll have
|
|
them tried on a treason count, later on." He smiled ironically as
|
|
Goodwin's face blanched sickly pale. "There's a war going on. You'll be
|
|
lucky if you get off alive."
|
|
|
|
Paddington entered his ship and left the surface, rising rapidly into
|
|
the sky. A second ship followed after him, a military escort. Paddington
|
|
flew high above the sea of gray slag, the unrecovered waste area. He
|
|
passed over a sudden square of green set in the ocean of gray.
|
|
Paddington gazed back at it until it was gone.
|
|
|
|
Central Park. He could see police ships racing through the sky, ships
|
|
and transports loaded with troops, heading toward the square of green.
|
|
On the ground some heavy guns and surface cars rumbled along, lines of
|
|
black approaching the park from all sides.
|
|
|
|
They would have the man soon. But meanwhile, the SRB machines were
|
|
blank. And on the SRB machines' readings the whole war depended.
|
|
|
|
About noon the cart reached the edge of the park. Milsom rested for a
|
|
moment, allowing the horses time to crop at the thick grass. The
|
|
silent expanse of slag amazed him. What had happened? Nothing stirred.
|
|
No buildings, no sign of life. Grass and weeds poked up occasionally
|
|
through it, breaking the flat surface here and there, but even so, the
|
|
sight gave him an uneasy chill.
|
|
|
|
Milsom drove the cart slowly out onto the slag, studying the sky above
|
|
him. There was nothing to hide him, now that he was out of the park.
|
|
The slag was bare and uniform, like the ocean. If he were spotted--
|
|
|
|
A horde of tiny black dots raced across the sky, coming rapidly
|
|
closer. Presently they veered to the right and disappeared. More
|
|
planes, wingless metal planes. He watched them go, driving slowly on.
|
|
|
|
Half an hour later something appeared ahead. Milsom slowed the cart
|
|
down, peering to see. The slag came to an end. He had reached its
|
|
limits. Ground appeared, dark soil and grass. Weeds grew everywhere.
|
|
Ahead of him, beyond the end of the slag, was a line of buildings,
|
|
houses of some sort. Or sheds.
|
|
|
|
Houses, probably. But not like any he had ever seen.
|
|
|
|
The houses were uniform, all exactly the same. Like little green
|
|
shells, rows of them, several hundred. There was a little lawn in
|
|
front of each. Lawn, a path, a front porch, bushes in a meager row
|
|
around each house. But the houses were all alike and very small.
|
|
|
|
Little green shells in precise, even rows. He urged the cart
|
|
cautiously forward, toward the houses.
|
|
|
|
No one seemed to be around. He entered a street between two rows of
|
|
houses, the hoofs of his two horses sounding loudly in the silence. He
|
|
was in some kind of town. But there were no dogs or children.
|
|
Everything was neat and silent. Like a model. An exhibit. It made him
|
|
uncomfortable.
|
|
|
|
A young man walking along the pavement gaped at him in wonder. An
|
|
oddly-dressed youth, in a toga-like cloak that hung down to his knees.
|
|
A single piece of fabric. And sandals.
|
|
|
|
Or what looked like sandals. Both the cloak and the sandals were of
|
|
some strange half-luminous material. It glowed faintly in the
|
|
sunlight. Metallic, rather than cloth.
|
|
|
|
A woman was watering flowers at the edge of a lawn. She straightened
|
|
up as his team of horses came near. Her eyes widened in
|
|
astonishment--and then fear. Her mouth fell open in a soundless _O_
|
|
and her sprinkling can slipped from her fingers and rolled silently
|
|
onto the lawn.
|
|
|
|
Milsom blushed and turned his head quickly away. The woman was scarcely
|
|
dressed! He flicked the reins and urged the horses to hurry.
|
|
|
|
Behind him, the woman still stood. He stole a brief, hasty look
|
|
back--and then shouted hoarsely to his team, ears scarlet. He had seen
|
|
right. She wore only a pair of translucent shorts. Nothing else. A
|
|
mere fragment of the same half-luminous material that glowed and
|
|
sparkled. The rest of her small body was utterly naked.
|
|
|
|
He slowed the team down. She had been pretty. Brown hair and eyes,
|
|
deep red lips. Quite a good figure. Slender waist, downy legs, bare
|
|
and supple, full breasts--. He clamped the thought furiously off. He
|
|
had to get to work. Business.
|
|
|
|
Milsom halted the Fixit cart and leaped down onto the pavement. He
|
|
selected a house at random and approached it cautiously. The house was
|
|
attractive. It had a certain simple beauty. But it looked frail--and
|
|
exactly like the others.
|
|
|
|
He stepped up on the porch. There was no bell. He searched for it,
|
|
running his hand uneasily over the surface of the door. All at once
|
|
there was a click, a sharp snap on a level with his eyes. Milsom glanced
|
|
up, startled. A lens was vanishing as the door section slid over it.
|
|
He had been photographed.
|
|
|
|
While he was wondering what it meant, the door swung suddenly open. A
|
|
man filled up the entrance, a big man in a tan uniform, blocking the
|
|
way ominously.
|
|
|
|
"What do you want?" the man demanded.
|
|
|
|
"I'm looking for work," Milsom murmured. "Any kind of work. I can do
|
|
anything, fix any kind of thing. I repair broken objects. Things that
|
|
need mending." His voice trailed off uncertainly. "Anything at all."
|
|
|
|
"Apply to the Placement Department of the Federal Activities Control
|
|
Board," the man said crisply. "You know all occupational therapy is
|
|
handled through them." He eyed Milsom curiously. "Why have you got on
|
|
those ancient clothes?"
|
|
|
|
"Ancient? Why, I--"
|
|
|
|
The man gazed past him at the Fixit cart and the two dozing horses.
|
|
"What's that? What are those two animals? _Horses?_" The man rubbed
|
|
his jaw, studying Milsom intently. "That's strange," he said.
|
|
|
|
"Strange?" Milsom murmured uneasily. "Why?"
|
|
|
|
"There haven't been any horses for over a century. All the horses were
|
|
wiped out during the Fifth Atomic War. That's why it's strange."
|
|
|
|
Milsom tensed, suddenly alert. There was something in the man's eyes, a
|
|
hardness, a piercing look. Milsom moved back off the porch, onto the
|
|
path. He had to be careful. Something was wrong.
|
|
|
|
"I'll be going," he murmured.
|
|
|
|
"There haven't been any horses for over a hundred years." The man came
|
|
toward Milsom. "Who are you? Why are you dressed up like that? Where did
|
|
you get that vehicle and pair of horses?"
|
|
|
|
"I'll be going," Milsom repeated, moving away.
|
|
|
|
The man whipped something from his belt, a thin metal tube. He stuck
|
|
it toward Milsom.
|
|
|
|
It was a rolled-up paper, a thin sheet of metal in the form of a tube.
|
|
Words, some kind of script. He could not make any of them out. The
|
|
man's picture, rows of numbers, figures--
|
|
|
|
"I'm Director Blackwell," the man said. "Federal Stockpile Conservation.
|
|
You better talk fast, or there'll be a Security car here in five
|
|
minutes."
|
|
|
|
Milsom moved--fast. He raced, head down, back along the path to the
|
|
cart, toward the street.
|
|
|
|
Something hit him. A wall of force, throwing him down on his face. He
|
|
sprawled in a heap, numb and dazed. His body ached, vibrating wildly,
|
|
out of control. Waves of shock rolled over him, gradually diminishing.
|
|
|
|
He got shakily to his feet. His head spun. He was weak, shattered,
|
|
trembling violently. The man was coming down the walk after him. Milsom
|
|
pulled himself onto the cart, gasping and retching. The horses jumped
|
|
into life. Milsom rolled over against the seat, sick with the motion of
|
|
the swaying cart.
|
|
|
|
He caught hold of the reins and managed to drag himself up in a
|
|
sitting position. The cart gained speed, turning a corner. Houses flew
|
|
past. Milsom urged the team weakly, drawing great shuddering breaths.
|
|
Houses and streets, a blur of motion, as the cart flew faster and
|
|
faster along.
|
|
|
|
Then he was leaving the town, leaving the neat little houses behind.
|
|
He was on some sort of highway. Big buildings, factories, on both
|
|
sides of the highway. Figures, men watching in astonishment.
|
|
|
|
After awhile the factories fell behind. Milsom slowed the team down.
|
|
What had the man meant? Fifth Atomic War. Horses destroyed. It didn't
|
|
make sense. And they had things he knew nothing about. Force fields.
|
|
Planes without wings--soundless.
|
|
|
|
Milsom reached around in his pockets. He found the identification tube
|
|
the man had handed him. In the excitement he had carried it off. He
|
|
unrolled the tube slowly and began to study it. The writing was
|
|
strange to him.
|
|
|
|
For a long time he studied the tube. Then, gradually, he became aware
|
|
of something. Something in the top right-hand corner.
|
|
|
|
A date. October 6, 2128.
|
|
|
|
Milsom's vision blurred. Everything spun and wavered around him.
|
|
October, 2128. Could it be?
|
|
|
|
But he held the paper in his hand. Thin, metal paper. Like foil. And
|
|
it had to be. It said so, right in the corner, printed on the paper
|
|
itself.
|
|
|
|
Milsom rolled the tube up slowly, numbed with shock. Two hundred years.
|
|
It didn't seem possible. But things were beginning to make sense. He
|
|
was in the future, two hundred years in the future.
|
|
|
|
While he was mulling this over, the swift black Security ship appeared
|
|
overhead, diving rapidly toward the horse-drawn cart, as it moved
|
|
slowly along the road.
|
|
|
|
Paddington's vidscreen buzzed. He snapped it quickly on. "Yes?"
|
|
|
|
"Report from Security."
|
|
|
|
"Put it through." Paddington waited tensely as the lines locked in
|
|
place. The screen re-lit.
|
|
|
|
"This is Dixon. Western Regional Command." The officer cleared his
|
|
throat, shuffling his message plates. "The man from the past has been
|
|
reported, moving away from the New York area."
|
|
|
|
"Which side of your net?"
|
|
|
|
"Outside. He evaded the net around Central Park by entering one of the
|
|
small towns at the rim of the slag area."
|
|
|
|
"_Evaded?_"
|
|
|
|
"We assumed he would avoid the towns. Naturally the net failed to
|
|
encompass any of the towns."
|
|
|
|
Paddington's jaw stiffened. "Go on."
|
|
|
|
"He entered the town of Petersville a few minutes before the net
|
|
closed around the park. We burned the park level, but naturally found
|
|
nothing. He had already gone. An hour later we received a report from
|
|
a resident in Petersville, an official of the Stockpile Conservation
|
|
Department. The man from the past had come to his door, looking for
|
|
work. Blackwell, the official, engaged him in conversation, trying to
|
|
hold onto him, but he escaped, driving his cart off. Blackwell called
|
|
Security right away, but by then it was too late."
|
|
|
|
"Report to me as soon as anything more comes in. We must have him--and
|
|
damn soon." Paddington snapped the screen off. It died quickly.
|
|
|
|
He sat back in his chair, waiting.
|
|
|
|
Milsom saw the shadow of the Security ship. He reacted at once. A second
|
|
after the shadow passed over him, Milsom was out of the cart, running
|
|
and falling. He rolled, twisting and turning, pulling his body as far
|
|
away from the cart as possible.
|
|
|
|
There was a blinding roar and flash of white light. A hot wind rolled
|
|
over Milsom, picking him up and tossing him like a leaf. He shut his
|
|
eyes, letting his body relax. He bounced, falling and striking the
|
|
ground. Gravel and stones tore into his face, his knees, the palms of
|
|
his hands.
|
|
|
|
Milsom cried out, shrieking in pain. His body was on fire. He was being
|
|
consumed, incinerated by the blinding white orb of fire. The orb
|
|
expanded, growing in size, swelling like some monstrous sun, twisted
|
|
and bloated. The end had come. There was no hope. He gritted his
|
|
teeth--
|
|
|
|
The greedy orb faded, dying down. It sputtered and winked out,
|
|
blackening into ash. The air reeked, a bitter acrid smell. His clothes
|
|
were burning and smoking. The ground under him was hot, baked dry,
|
|
seared by the blast. But he was alive. At least, for awhile.
|
|
|
|
Milsom opened his eyes slowly. The cart was gone. A great hole gaped
|
|
where it had been, a shattered sore in the center of the highway. An
|
|
ugly cloud hung above the hole, black and ominous. Far above, the
|
|
wingless plane circled, watching for any signs of life.
|
|
|
|
Milsom lay, breathing shallowly, slowly. Time passed. The sun moved
|
|
across the sky with agonizing slowness. It was perhaps four in the
|
|
afternoon. Milsom calculated mentally. In three hours it would be dark.
|
|
If he could stay alive until then--
|
|
|
|
Had the plane seen him leap from the cart?
|
|
|
|
He lay without moving. The late afternoon sun beat down on him. He
|
|
felt sick, nauseated and feverish. His mouth was dry.
|
|
|
|
Some ants ran over his outstretched hand. Gradually, the immense black
|
|
cloud was beginning to drift away, dispersing into a formless blob.
|
|
|
|
The cart was gone. The thought lashed against him, pounding at his
|
|
brain, mixing with his labored pulse-beat. _Gone._ Destroyed. Nothing
|
|
but ashes and debris remained. The realization dazed him.
|
|
|
|
Finally the plane finished its circling, winging its way toward the
|
|
horizon. At last it vanished. The sky was clear.
|
|
|
|
Milsom got unsteadily to his feet. He wiped his face shakily. His body
|
|
ached and trembled. He spat a couple times, trying to clear his mouth.
|
|
The plane would probably send in a report. People would be coming to
|
|
look for him. Where could he go?
|
|
|
|
To his right a line of hills rose up, a distant green mass. Maybe he
|
|
could reach them. He began to walk slowly. He had to be very careful.
|
|
They were looking for him--and they had weapons. Incredible weapons.
|
|
|
|
He would be lucky to still be alive when the sun set. His team and
|
|
Fixit cart were gone--and all his tools. Milsom reached into his
|
|
pockets, searching through them hopefully. He brought out some small
|
|
screwdrivers, a little pair of cutting pliers, some wire, some solder,
|
|
the whetstone, and finally the lady's knife.
|
|
|
|
Only a few small tools remained. He had lost everything else. But
|
|
without the cart he was safer, harder to spot. They would have more
|
|
trouble finding him, on foot.
|
|
|
|
Milsom hurried along, crossing the level fields toward the distant range
|
|
of hills.
|
|
|
|
The call came through to Paddington almost at once. Dixon's features
|
|
formed on the vidscreen. "I have a further report, Commissioner."
|
|
Dixon scanned the plate. "Good news. The man from the past was sighted
|
|
moving away from Petersville, along highway 13, at about ten miles an
|
|
hour, on his horse-drawn cart. Our ship bombed him immediately."
|
|
|
|
"Did--did you get him?"
|
|
|
|
"The pilot reports no sign of life after the blast."
|
|
|
|
Paddington's pulse almost stopped. He sank back in his chair. "Then he's
|
|
dead!"
|
|
|
|
"Actually, we won't know for certain until we can examine the debris.
|
|
A surface car is speeding toward the spot. We should have the complete
|
|
report in a short time. We'll notify you as soon as the information
|
|
comes in."
|
|
|
|
Paddington reached out and cut the screen. It faded into darkness. Had
|
|
they got the man from the past? Or had he escaped again? Weren't they
|
|
ever going to get him? Couldn't he be captured? And meanwhile, the SRB
|
|
machines were silent, showing nothing at all.
|
|
|
|
Paddington sat brooding, waiting impatiently for the report of the
|
|
surface car to come in.
|
|
|
|
* * * * *
|
|
|
|
It was evening.
|
|
|
|
"Come on!" Steven shouted, running frantically after his brother.
|
|
"Come on back!"
|
|
|
|
"Catch me." Earl ran and ran, down the side of the hill, over behind a
|
|
military storage depot, along a neotex fence, jumping finally down
|
|
into Mrs. Norris' back yard.
|
|
|
|
Steven hurried after his brother, sobbing for breath, shouting and
|
|
gasping as he ran. "Come back! You come back with that!"
|
|
|
|
"What's he got?" Jennifer Preston demanded, stepping out suddenly to block
|
|
Steven's way.
|
|
|
|
Steven halted, his chest rising and falling. "He's got my intersystem
|
|
vidsender." His small face twisted with rage and misery. "He better
|
|
give it back!"
|
|
|
|
Earl came circling around from the right. In the warm gloom of evening
|
|
he was almost invisible. "Here I am," he announced. "What you going to
|
|
do?"
|
|
|
|
Steven glared at him hotly. His eyes made out the square box in Earl's
|
|
hands. "You give that back! Or--or I'll tell Dad."
|
|
|
|
Earl laughed. "Make me."
|
|
|
|
"Dad'll make you."
|
|
|
|
"You better give it to him," Jennifer said.
|
|
|
|
"Catch me." Earl started off. Steven pushed Jennifer out of the way,
|
|
lashing wildly at his brother. He collided with him, throwing him
|
|
sprawling. The box fell from Earl's hands. It skidded to the pavement,
|
|
crashing into the side of a guide-light post.
|
|
|
|
Earl and Steven picked themselves up slowly. They gazed down at the
|
|
broken box.
|
|
|
|
"See?" Steven shrilled, tears filling his eyes. "See what you did?"
|
|
|
|
"You did it. You pushed into me."
|
|
|
|
"You did it!"' Steven bent down and picked up the box. He carried it
|
|
over to the guide-light, sitting down on the curb to examine it.
|
|
|
|
Earl came slowly over. "If you hadn't pushed me it wouldn't have got
|
|
broken."
|
|
|
|
Night was descending rapidly. The line of hills rising above the town
|
|
were already lost in darkness. A few lights had come on here and
|
|
there. The evening was warm. A surface car slammed its doors, some
|
|
place off in the distance. In the sky ships droned back and forth,
|
|
weary commuters coming home from work in the big underground factory
|
|
units.
|
|
|
|
Edward Milsom came slowly toward the three children grouped around the
|
|
guide-light. He moved with difficulty, his body sore and bent with
|
|
fatigue. Night had come, but he was not safe yet.
|
|
|
|
He was tired, exhausted and hungry. He had walked a long way. And he
|
|
had to have something to eat--soon.
|
|
|
|
A few feet from the children Milsom stopped. They were all intent and
|
|
absorbed by the box on Steven's knees. Suddenly a hush fell over the
|
|
children. Earl looked up slowly.
|
|
|
|
In the dim light the big stooped figure of Edward Milsom seemed extra
|
|
menacing. His long arms hung down loosely at his sides. His face was
|
|
lost in shadow. His body was shapeless, indistinct. A big unformed
|
|
statue, standing silently a few feet away, unmoving in the
|
|
half-darkness.
|
|
|
|
"Who are you?" Earl demanded, his voice low.
|
|
|
|
"What do you want?" Jennifer said. The children edged away nervously.
|
|
"Get away."
|
|
|
|
Milsom came toward them. He bent down a little. The beam from the
|
|
guide-light crossed his features. Lean, prominent nose, beak-like,
|
|
faded blue eyes--
|
|
|
|
Steven scrambled to his feet, clutching the vidsender box. "You get
|
|
out of here!"
|
|
|
|
"Wait." Milsom smiled crookedly at them. His voice was dry and raspy.
|
|
"What do you have there?" He pointed with his long, slender fingers.
|
|
"The box you're holding."
|
|
|
|
The children were silent. Finally Steven stirred. "It's my
|
|
inter-system vidsender."
|
|
|
|
"Only it doesn't work," Jennifer said.
|
|
|
|
"Earl broke it." Steven glared at his brother bitterly. "Earl threw it
|
|
down and broke it."
|
|
|
|
Milsom smiled a little. He sank down wearily on the edge of the curb,
|
|
sighing with relief. He had been walking too long. His body ached with
|
|
fatigue. He was hungry, and tired. For a long time he sat, wiping
|
|
perspiration from his neck and face, too exhausted to speak.
|
|
|
|
"Who are you?" Jennifer demanded, at last. "Why do you have on those
|
|
funny clothes? Where did you come from?"
|
|
|
|
"Where?" Milsom looked around at the children. "From a long way off. A
|
|
long way." He shook his head slowly from side to side, trying to clear
|
|
it.
|
|
|
|
"What's your therapy?" Earl said.
|
|
|
|
"My therapy?"
|
|
|
|
"What do you do? Where do you work?"
|
|
|
|
Milsom took a deep breath and let it out again slowly. "I fix things.
|
|
All kinds of things. Any kind."
|
|
|
|
Earl sneered. "Nobody fixes things. When they break you throw them
|
|
away."
|
|
|
|
Milsom didn't hear him. Sudden need had roused him, getting him suddenly
|
|
to his feet. "You know any work I can find?" he demanded. "Things I
|
|
could do? I can fix anything. Clocks, type-writers, refrigerators,
|
|
pots and pans. Leaks in the roof. I can fix anything there is."
|
|
|
|
Steven held out his inter-system vidsender. "Fix this."
|
|
|
|
There was silence. Slowly, Milsom's eyes focussed on the box. "That?"
|
|
|
|
"My sender. Earl broke it."
|
|
|
|
Milsom took the box slowly. He turned it over, holding it up to the
|
|
light. He frowned, concentrating on it. His long, slender fingers
|
|
moved carefully over the surface, exploring it.
|
|
|
|
"He'll steal it!" Earl said suddenly.
|
|
|
|
"No." Milsom shook his head vaguely. "I'm reliable." His sensitive
|
|
fingers found the studs that held the box together. He depressed the
|
|
studs, pushing them expertly in. The box opened, revealing its complex
|
|
interior.
|
|
|
|
"He got it open," Jennifer whispered.
|
|
|
|
"Give it back!" Steven demanded, a little frightened. He held out his
|
|
hand. "I want it back."
|
|
|
|
The three children watched Milsom apprehensively. Milsom fumbled in his
|
|
pocket. Slowly he brought out his tiny screwdrivers and pliers. He
|
|
laid them in a row beside him. He made no move to return the box.
|
|
|
|
"I want it back," Steven said feebly.
|
|
|
|
Milsom looked up. His faded blue eyes took in the sight of the three
|
|
children standing before him in the gloom. "I'll fix it for you. You
|
|
said you wanted it fixed."
|
|
|
|
"I want it back." Steven stood on one foot, then the other, torn by
|
|
doubt and indecision. "Can you really fix it? Can you make it work
|
|
again?"
|
|
|
|
"Yes."
|
|
|
|
"All right. Fix it for me, then."
|
|
|
|
A sly smile flickered across Milsom's tired face. "Now, wait a minute.
|
|
If I fix it, will you bring me something to eat? I'm not fixing it for
|
|
nothing."
|
|
|
|
"Something to eat?"
|
|
|
|
"Food. I need hot food. Maybe some coffee."
|
|
|
|
Steven nodded. "Yes. I'll get it for you."
|
|
|
|
Milsom relaxed. "Fine. That's fine." He turned his attention back to the
|
|
box resting between his knees. "Then I'll fix it for you. I'll fix it
|
|
for you good."
|
|
|
|
His fingers flew, working and twisting, tracing down wires and relays,
|
|
exploring and examining. Finding out about the inter-system vidsender.
|
|
Discovering how it worked.
|
|
|
|
Steven slipped into the house through the emergency door. He made his
|
|
way to the kitchen with great care, walking on tip-toe. He punched the
|
|
kitchen controls at random, his heart beating excitedly. The stove
|
|
began to whirr, purring into life. Meter readings came on, crossing
|
|
toward the completion marks.
|
|
|
|
Presently the stove opened, sliding out a tray of steaming dishes. The
|
|
mechanism clicked off, dying into silence. Steven grabbed up the
|
|
contents of the tray, filling his arms. He carried everything down the
|
|
hall, out the emergency door and into the yard. The yard was dark.
|
|
Steven felt his way carefully along.
|
|
|
|
He managed to reach the guide-light without dropping anything at all.
|
|
|
|
Edward Milsom got slowly to his feet as Steven came into view. "Here,"
|
|
Steven said. He dumped the food onto the curb, gasping for breath.
|
|
"Here's the food. Is it finished?"
|
|
|
|
Milsom held out the inter-system vidsender. "It's finished. It was
|
|
pretty badly smashed."
|
|
|
|
Earl and Jennifer gazed up, wide-eyed. "Does it work?" Jennifer asked.
|
|
|
|
"Of course not," Earl stated. "How could it work? He couldn't--"
|
|
|
|
"Turn it on!" Jennifer nudged Steven eagerly. "See if it works."
|
|
|
|
Steven was holding the box under the light, examining the switches. He
|
|
clicked the main switch on. The indicator light gleamed. "It lights
|
|
up," Steven said.
|
|
|
|
"Say something into it."
|
|
|
|
Steven spoke into the box. "Hello! Hello! This is operator 6-Z75
|
|
calling. Can you hear me? This is operator 6-Z75. Can you hear me?"
|
|
|
|
In the darkness, away from the beam of the guide-light, Edward Milsom
|
|
sat crouched over the food. He ate gratefully, silently. It was good
|
|
food, well cooked and seasoned. He drank a container of orange juice
|
|
and then a sweet drink he didn't recognize. Most of the food was
|
|
strange to him, but he didn't care. He had walked a long way and he
|
|
was plenty hungry. And he still had a long way to go, before morning.
|
|
He had to be deep in the hills before the sun came up. Instinct told
|
|
him that he would be safe among the trees and tangled growth--at
|
|
least, as safe as he could hope for.
|
|
|
|
He ate rapidly, intent on the food. He did not look up until he was
|
|
finished. Then he got slowly to his feet, wiping his mouth with the
|
|
back of his hand.
|
|
|
|
The three children were standing around in a circle, operating the
|
|
inter-system vidsender. He watched them for a few minutes. None of
|
|
them looked up from the small box. They were intent, absorbed in what
|
|
they were doing.
|
|
|
|
"Well?" Milsom said, at last. "Does it work all right?"
|
|
|
|
After a moment Steven looked up at him. There was a strange expression
|
|
on his face. He nodded slowly. "Yes. Yes, it works. It works fine."
|
|
|
|
Milsom grunted. "All right." He turned and moved away from the light.
|
|
"That's fine."
|
|
|
|
The children watched silently until the figure of Edward Milsom had
|
|
completely disappeared. Slowly, they turned and looked at each other.
|
|
Then down at the box in Steven's hands. They gazed at the box in
|
|
growing awe. Awe mixed with dawning fear.
|
|
|
|
Steven turned and edged toward his house. "I've got to show it to my
|
|
Dad," he murmured, dazed. "He's got to know. _Somebody's_ got to
|
|
know!"
|
|
|
|
|
|
|
|
|
|
III
|
|
|
|
|
|
Eric Paddington examined the vidsender box carefully, turning it around
|
|
and around.
|
|
|
|
"Then he did escape from the blast," Dixon admitted reluctantly. "He
|
|
must have leaped from the cart just before the concussion."
|
|
|
|
Paddington nodded. "He escaped. He got away from you--twice." He pushed
|
|
the vidsender box away and leaned abruptly toward the man standing
|
|
uneasily in front of his desk. "What's your name again?"
|
|
|
|
"Hurst. Richard Hurst."
|
|
|
|
"And your son's name?"
|
|
|
|
"Steven."
|
|
|
|
"It was last night this happened?"
|
|
|
|
"About eight o'clock."
|
|
|
|
"Go on."
|
|
|
|
"Steven came into the house. He acted queerly. He was carrying his
|
|
inter-system vidsender." Hurst pointed at the box on Paddington's desk.
|
|
"That. He was nervous and excited. I asked what was wrong. For awhile
|
|
he couldn't tell me. He was quite upset. Then he showed me the
|
|
vidsender." Hurst took a deep, shaky breath. "I could see right away
|
|
it was different. You see I'm an electrical engineer. I had opened it
|
|
once before, to put in a new battery. I had a fairly good idea how it
|
|
should look." Hurst hesitated. "Commissioner, it had been _changed_.
|
|
A lot of the wiring was different. Moved around. Relays connected
|
|
differently. Some parts were missing. New parts had been jury rigged
|
|
out of old. Then I discovered the thing that made me call Security.
|
|
The vidsender--it really _worked_."
|
|
|
|
"Worked?"
|
|
|
|
"You see, it never was anything more than a toy. With a range of a few
|
|
city blocks. So the kids could call back and forth from their rooms.
|
|
Like a sort of portable vidscreen. Commissioner, I tried out the
|
|
vidsender, pushing the call button and speaking into the microphone.
|
|
I--I got a ship of the line. A battleship, operating beyond
|
|
Jorblax--over eight light years away. As far out as the actual
|
|
vidsenders operate. Then I called Security. Right away."
|
|
|
|
For a time Paddington was silent. Finally he tapped the box lying on the
|
|
desk. "You got a ship of the line--with _this_?"
|
|
|
|
"That's right."
|
|
|
|
"How big are the regular vidsenders?"
|
|
|
|
Dixon supplied the information. "As big as a twenty-ton safe."
|
|
|
|
"That's what I thought." Paddington waved his hand impatiently. "All
|
|
right, Hurst. Thanks for turning the information over to us. That's
|
|
all."
|
|
|
|
Security police led Hurst outside the office.
|
|
|
|
Paddington and Dixon looked at each other. "This is bad," Paddington said
|
|
harshly. "He has some ability, some kind of mechanical ability.
|
|
Genius, perhaps, to do a thing like this. Look at the period he came
|
|
from, Dixon. The early part of the twentieth century. Before the wars
|
|
began. That was a unique period. There was a certain vitality, a
|
|
certain ability. It was a period of incredible growth and discovery.
|
|
Edison. Pasteur. Burbank. The Wright brothers. Inventions and
|
|
machines. People had an uncanny ability with machines. A kind of
|
|
intuition about machines--which we don't have."
|
|
|
|
"You mean--"
|
|
|
|
"I mean a person like this coming into our own time is bad in itself,
|
|
war or no war. He's too different. He's oriented along different
|
|
lines. He has abilities we lack. This fixing skill of his. It throws
|
|
us off, out of kilter. And with the war....
|
|
|
|
"Now I'm beginning to understand why the SRB machines couldn't factor
|
|
him. It's impossible for us to understand this kind of person. Blackwell
|
|
says he asked for work, any kind of work. The man said he could do
|
|
anything, fix anything. Do you understand what that means?"
|
|
|
|
"No," Dixon said. "What does it mean?"
|
|
|
|
"Can any of us fix anything? No. None of us can do that. We're
|
|
specialized. Each of us has his own line, his own work. I understand
|
|
my work, you understand yours. The tendency in evolution is toward
|
|
greater and greater specialization. Man's society is an ecology that
|
|
forces adaptation to it. Continual complexity makes it impossible for
|
|
any of us to know anything outside our own personal field--I can't
|
|
follow the work of the man sitting at the next desk over from me. Too
|
|
much knowledge has piled up in each field. And there's too many
|
|
fields.
|
|
|
|
"This man is different. He can fix anything, do anything. He doesn't
|
|
work with knowledge, with science--the classified accumulation of
|
|
facts. He _knows_ nothing. It's not in his head, a form of learning.
|
|
He works by intuition--his power is in his hands, not his head.
|
|
Jack-of-all-trades. His hands! Like a painter, an artist. In his
|
|
hands--and he cuts across our lives like a knife-blade."
|
|
|
|
"And the other problem?"
|
|
|
|
"The other problem is that this man, this variable man, has escaped
|
|
into the Albertine Mountain range. Now we'll have one hell of a time
|
|
finding him. He's clever--in a strange kind of way. Like some sort of
|
|
animal. He's going to be hard to catch."
|
|
|
|
Paddington sent Dixon out. After a moment he gathered up the handful of
|
|
reports on his desk and carried them up to the SRB room. The SRB room
|
|
was closed up, sealed off by a ring of armed Security police. Standing
|
|
angrily before the ring of police was Peter Gibson, his beard
|
|
waggling angrily, his immense hands on his hips.
|
|
|
|
"What's going on?" Gibson demanded. "Why can't I go in and peep at
|
|
the odds?"
|
|
|
|
"Sorry." Paddington cleared the police aside. "Come inside with me. I'll
|
|
explain." The doors opened for them and they entered. Behind them the
|
|
doors shut and the ring of police formed outside. "What brings you
|
|
away from your lab?" Paddington asked.
|
|
|
|
Gibson shrugged. "Several things. I wanted to see you. I called you
|
|
on the vidphone and they said you weren't available. I thought maybe
|
|
something had happened. What's up?"
|
|
|
|
"I'll tell you in a few minutes." Paddington called Jeremy over. "Here
|
|
are some new items. Feed them in right away. I want to see if the
|
|
machines can total them."
|
|
|
|
"Certainly, Commissioner." Jeremy took the message plates and placed
|
|
them on an intake belt. The machines hummed into life.
|
|
|
|
"We'll know soon," Paddington said, half aloud.
|
|
|
|
Gibson shot him a keen glance. "We'll know what? Let me in on it.
|
|
What's taking place?"
|
|
|
|
"We're in trouble. For twenty-four hours the machines haven't given
|
|
any reading at all. Nothing but a blank. A total blank."
|
|
|
|
Gibson's features registered disbelief. "But that isn't possible.
|
|
_Some_ odds exist at all times."
|
|
|
|
"The odds exist, but the machines aren't able to calculate them."
|
|
|
|
"Why not?"
|
|
|
|
"Because a variable factor has been introduced. A factor which the
|
|
machines can't handle. They can't make any predictions from it."
|
|
|
|
"Can't they reject it?" Gibson said slyly. "Can't they just--just
|
|
_ignore_ it?"
|
|
|
|
"No. It exists, as real data. Therefore it affects the balance of the
|
|
material, the sum total of all other available data. To reject it
|
|
would be to give a false reading. The machines can't reject any data
|
|
that's known to be true."
|
|
|
|
Gibson pulled moodily at his black beard. "I would be interested in
|
|
knowing what sort of factor the machines can't handle. I thought they
|
|
could take in all data pertaining to contemporary reality."
|
|
|
|
"They can. This factor has nothing to do with contemporary reality.
|
|
That's the trouble. Histo-research in bringing its time bubble back
|
|
from the past got overzealous and cut the circuit too quickly. The
|
|
bubble came back loaded--with a man from the twentieth century. A man
|
|
from the past."
|
|
|
|
"I see. A man from two centuries ago." The big Pole frowned. "And with
|
|
a radically different Weltanschauung. No connection with our present
|
|
society. Not integrated along our lines at all. Therefore the SRB
|
|
machines are perplexed."
|
|
|
|
Paddington grinned. "Perplexed? I suppose so. In any case, they can't do
|
|
anything with the data about this man. The variable man. No statistics
|
|
at all have been thrown up--no predictions have been made. And it
|
|
knocks everything else out of phase. We're dependent on the constant
|
|
showing of these odds. The whole war effort is geared around them."
|
|
|
|
"The horse-shoe nail. Remember the old poem? 'For want of a nail the
|
|
shoe was lost. For want of the shoe the horse was lost. For want of
|
|
the horse the rider was lost. For want--'"
|
|
|
|
"Exactly. A single factor coming along like this, one single
|
|
individual, can throw everything off. It doesn't seem possible that
|
|
one person could knock an entire society out of balance--but
|
|
apparently it is."
|
|
|
|
"What are you doing about this man?"
|
|
|
|
"The Security police are organized in a mass search for him."
|
|
|
|
"Results?"
|
|
|
|
"He escaped into the Albertine Mountain Range last night. It'll be
|
|
hard to find him. We must expect him to be loose for another
|
|
forty-eight hours. It'll take that long for us to arrange the
|
|
annihilation of the range area. Perhaps a trifle longer. And
|
|
meanwhile--"
|
|
|
|
"Ready, Commissioner," Jeremy interrupted. "The new totals."
|
|
|
|
The SRB machines had finished factoring the new data. Paddington and
|
|
Gibson hurried to take their places before the view windows.
|
|
|
|
For a moment nothing happened. Then odds were put up, locking in
|
|
place.
|
|
|
|
Gibson gasped. 99-2. In favor of Terra. "That's wonderful! Now we--"
|
|
|
|
The odds vanished. New odds took their places. 97-4. In favor of
|
|
Jorblax. Gibson groaned in astonished dismay. "Wait," Paddington
|
|
said to him. "I don't think they'll last."
|
|
|
|
The odds vanished. A rapid series of odds shot across the screen, a
|
|
violent stream of numbers, changing almost instantly. At last the
|
|
machines became silent.
|
|
|
|
Nothing showed. No odds. No totals at all. The view windows were
|
|
blank.
|
|
|
|
"You see?" Paddington murmured. "The same damn thing!"
|
|
|
|
Gibson pondered. "Paddington, you're too Anglo-Saxon, too impulsive.
|
|
Be more Slavic. This man will be captured and destroyed within two
|
|
days. You said so yourself. Meanwhile, we're all working night and day
|
|
on the war effort. The warfleet is waiting near Jorblax, taking up
|
|
positions for the attack on the Jorblaxians. All our war plants are
|
|
going full blast. By the time the attack date comes we'll have a
|
|
full-sized invasion army ready to take off for the long trip to the
|
|
Jorblaxian colonies. The whole Terran population has been mobilized.
|
|
The eight supply planets are pouring in material. All this is going on
|
|
day and night, even without odds showing. Long before the attack comes
|
|
this man will certainly be dead, and the machines will be able to show
|
|
odds again."
|
|
|
|
Paddington considered. "But it worries me, a man like that out in the
|
|
open. Loose. A man who can't be predicted. It goes against science.
|
|
We've been making statistical reports on society for two centuries. We
|
|
have immense files of data. The machines are able to predict what each
|
|
person and group will do at a given time, in a given situation. But
|
|
this man is beyond all prediction. He's a variable. It's contrary to
|
|
science."
|
|
|
|
"The indeterminate particle."
|
|
|
|
"What's that?"
|
|
|
|
"The particle that moves in such a way that we can't predict what
|
|
position it will occupy at a given second. Random. The random
|
|
particle."
|
|
|
|
"Exactly. It's--it's _unnatural_."
|
|
|
|
Gibson laughed sarcastically. "Don't worry about it, Commissioner.
|
|
The man will be captured and things will return to their natural
|
|
state. You'll be able to predict people again, like laboratory rats in
|
|
a maze. By the way--why is this room guarded?"
|
|
|
|
"I don't want anyone to know the machines show no totals. It's
|
|
dangerous to the war effort."
|
|
|
|
"Margaret Wheeler, for example?"
|
|
|
|
Paddington nodded reluctantly. "They're too timid, these
|
|
parliamentarians. If they discover we have no SRB odds they'll want to
|
|
shut down the war planning and go back to waiting."
|
|
|
|
"Too slow for you, Commissioner? Laws, debates, council meetings,
|
|
discussions.... Saves a lot of time if one man has all the power. One
|
|
man to tell people what to do, think for them, lead them around."
|
|
|
|
Paddington eyed the big Pole critically. "That reminds me. How is Icarus
|
|
coming? Have you continued to make progress on the control turret?"
|
|
|
|
A scowl crossed Gibson's broad features. "The control turret?" He
|
|
waved his big hand vaguely. "I would say it's coming along all right.
|
|
We'll catch up in time."
|
|
|
|
Instantly Paddington became alert. "Catch up? You mean you're still
|
|
behind?"
|
|
|
|
"Somewhat. A little. But we'll catch up." Gibson retreated toward
|
|
the door. "Let's go down to the cafeteria and have a cup of coffee.
|
|
You worry too much, Commissioner. Take things more in your stride."
|
|
|
|
"I suppose you're right." The two men walked out into the hall. "I'm
|
|
on edge. This variable man. I can't get him out of my mind."
|
|
|
|
"Has he done anything yet?"
|
|
|
|
"Nothing important. Rewired a child's toy. A toy vidsender."
|
|
|
|
"Oh?" Gibson showed interest. "What do you mean? What did he do?"
|
|
|
|
"I'll show you." Paddington led Gibson down the hall to his office.
|
|
They entered and Paddington locked the door. He handed Gibson the toy
|
|
and roughed in what Milsom had done. A strange look crossed Gibson's
|
|
face. He found the studs on the box and depressed them. The box
|
|
opened. The big Pole sat down at the desk and began to study the
|
|
interior of the box. "You're sure it was the man from the past who
|
|
rewired this?"
|
|
|
|
"Of course. On the spot. The boy damaged it playing. The variable man
|
|
came along and the boy asked him to fix it. He fixed it, all right."
|
|
|
|
"Incredible." Gibson's eyes were only an inch from the wiring. "Such
|
|
tiny relays. How could he--"
|
|
|
|
"What?"
|
|
|
|
"Nothing." Gibson got abruptly to his feet, closing the box
|
|
carefully. "Can I take this along? To my lab? I'd like to analyze it
|
|
more fully."
|
|
|
|
"Of course. But why?"
|
|
|
|
"No special reason. Let's go get our coffee." Gibson headed toward
|
|
the door. "You say you expect to capture this man in a day or so?"
|
|
|
|
"_Kill_ him, not capture him. We've got to eliminate him as a piece of
|
|
data. We're assembling the attack formations right now. No slip-ups,
|
|
this time. We're in the process of setting up a cross-bombing pattern
|
|
to level the entire Albertine range. He must be destroyed, within the
|
|
next forty-eight hours."
|
|
|
|
Gibson nodded absently. "Of course," he murmured. A preoccupied
|
|
expression still remained on his broad features. "I understand
|
|
perfectly."
|
|
|
|
* * * * *
|
|
|
|
Edward Milsom crouched over the fire he had built, warming his hands. It
|
|
was almost morning. The sky was turning violet gray. The mountain air
|
|
was crisp and chill. Milsom shivered and pulled himself closer to the
|
|
fire.
|
|
|
|
The heat felt good against his hands. _His hands._ He gazed down at
|
|
them, glowing yellow-red in the firelight. The nails were black and
|
|
chipped. Warts and endless calluses on each finger, and the palms. But
|
|
they were good hands; the fingers were long and tapered. He respected
|
|
them, although in some ways he didn't understand them.
|
|
|
|
Milsom was deep in thought, meditating over his situation. He had been
|
|
in the mountains two nights and a day. The first night had been the
|
|
worst. Stumbling and falling, making his way uncertainly up the steep
|
|
slopes, through the tangled brush and undergrowth--
|
|
|
|
But when the sun came up he was safe, deep in the mountains, between
|
|
two great peaks. And by the time the sun had set again he had fixed
|
|
himself up a shelter and a means of making a fire. Now he had a neat
|
|
little box trap, operated by a plaited grass rope and pit, a notched
|
|
stake. One rabbit already hung by his hind legs and the trap was
|
|
waiting for another.
|
|
|
|
The sky turned from violet gray to a deep cold gray, a metallic color.
|
|
The mountains were silent and empty. Far off some place a bird sang,
|
|
its voice echoing across the vast slopes and ravines. Other birds
|
|
began to sing. Off to his right something crashed through the brush,
|
|
an animal pushing its way along.
|
|
|
|
Day was coming. His second day. Milsom got to his feet and began to
|
|
unfasten the rabbit. Time to eat. And then? After that he had no
|
|
plans. He knew instinctively that he could keep himself alive
|
|
indefinitely with the tools he had retained, and the genius of his
|
|
hands. He could kill game and skin it. Eventually he could build
|
|
himself a permanent shelter, even make clothes out of hides. In
|
|
winter--
|
|
|
|
But he was not thinking that far ahead. Milsom stood by the fire,
|
|
staring up at the sky, his hands on his hips. He squinted, suddenly
|
|
tense. Something was moving. Something in the sky, drifting slowly
|
|
through the grayness. A black dot.
|
|
|
|
He stamped out the fire quickly. What was it? He strained, trying to
|
|
see. A bird?
|
|
|
|
A second dot joined the first. Two dots. Then three. Four. Five. A
|
|
fleet of them, moving rapidly across the early morning sky. Toward the
|
|
mountains.
|
|
|
|
Toward him.
|
|
|
|
Milsom hurried away from the fire. He snatched up the rabbit and carried
|
|
it along with him, into the tangled shelter he had built. He was
|
|
invisible, inside the shelter. No one could find him. But if they had
|
|
seen the fire--
|
|
|
|
He crouched in the shelter, watching the dots grow larger. They were
|
|
planes, all right. Black wingless planes, coming closer each moment.
|
|
Now he could hear them, a faint dull buzz, increasing until the ground
|
|
shook under him.
|
|
|
|
The first plane dived. It dropped like a stone, swelling into a great
|
|
black shape. Milsom gasped, sinking down. The plane roared in an arc,
|
|
swooping low over the ground. Suddenly bundles tumbled out, white
|
|
bundles falling and scattering like seeds.
|
|
|
|
The bundles drifted rapidly to the ground. They landed. They were men.
|
|
Men in uniform.
|
|
|
|
Now the second plane was diving. It roared overhead, releasing its
|
|
load. More bundles tumbled out, filling the sky. The third plane
|
|
dived, then the fourth. The air was thick with drifting bundles of
|
|
white, a blanket of descending weed spores, settling to earth.
|
|
|
|
On the ground the soldiers were forming into groups. Their shouts
|
|
carried to Milsom, crouched in his shelter. Fear leaped through him.
|
|
They were landing on all sides of him. He was cut off. The last two
|
|
planes had dropped men behind him.
|
|
|
|
He got to his feet, pushing out of the shelter. Some of the soldiers
|
|
had found the fire, the ashes and coals. One dropped down, feeling the
|
|
coals with his hand. He waved to the others. They were circling all
|
|
around, shouting and gesturing. One of them began to set up some kind
|
|
of gun. Others were unrolling coils of tubing, locking a collection of
|
|
strange pipes and machinery in place.
|
|
|
|
Milsom ran. He rolled down a slope, sliding and falling. At the bottom
|
|
he leaped to his feet and plunged into the brush. Vines and leaves
|
|
tore at his face, slashing and cutting him. He fell again, tangled in
|
|
a mass of twisted shrubbery. He fought desperately, trying to free
|
|
himself. If he could reach the knife in his pocket--
|
|
|
|
Voices. Footsteps. Men were behind him, running down the slope. Milsom
|
|
struggled frantically, gasping and twisting, trying to pull loose. He
|
|
strained, breaking the vines, clawing at them with his hands.
|
|
|
|
A soldier dropped to his knee, leveling his gun. More soldiers
|
|
arrived, bringing up their rifles and aiming.
|
|
|
|
Milsom cried out. He closed his eyes, his body suddenly limp. He waited,
|
|
his teeth locked together, sweat dripping down his neck, into his
|
|
shirt, sagging against the mesh of vines and branches coiled around
|
|
him.
|
|
|
|
Silence.
|
|
|
|
Milsom opened his eyes slowly. The soldiers had regrouped. A huge man
|
|
was striding down the slope toward them, barking orders as he came.
|
|
|
|
Two soldiers stepped into the brush. One of them grabbed Milsom by the
|
|
shoulder.
|
|
|
|
"Don't let go of him." The huge man came over, his black beard jutting
|
|
out. "Hold on."
|
|
|
|
Milsom gasped for breath. He was caught. There was nothing he could do.
|
|
More soldiers were pouring down into the gulley, surrounding him on
|
|
all sides. They studied him curiously, murmuring together. Milsom shook
|
|
his head wearily and said nothing.
|
|
|
|
The huge man with the beard stood directly in front of him, his hands
|
|
on his hips, looking him up and down. "Don't try to get away," the man
|
|
said. "You can't get away. Do you understand?"
|
|
|
|
Milsom nodded.
|
|
|
|
"All right. Good." The man waved. Soldiers clamped metal bands around
|
|
Milsom's arms and wrists. The metal dug into his flesh, making him gasp
|
|
with pain. More clamps locked around his legs. "Those stay there until
|
|
we're out of here. A long way out."
|
|
|
|
"Where--where are you taking me?"
|
|
|
|
Peter Gibson studied the variable man for a moment before he
|
|
answered. "Where? I'm taking you to my labs. Under the Urals." He
|
|
glanced suddenly up at the sky. "We better hurry. The Security police
|
|
will be starting their demolition attack in a few hours. We want to be
|
|
a long way from here when that begins."
|
|
|
|
* * * * *
|
|
|
|
Gibson settled down in his comfortable reinforced chair with a sigh.
|
|
"It's good to be back." He signalled to one of his guards. "All right.
|
|
You can unfasten him."
|
|
|
|
The metal clamps were removed from Milsom's arms and legs. He sagged,
|
|
sinking down in a heap. Gibson watched him silently.
|
|
|
|
Milsom sat on the floor, rubbing his wrists and legs, saying nothing.
|
|
|
|
"What do you want?" Gibson demanded. "Food? Are you hungry?"
|
|
|
|
"No."
|
|
|
|
"Medicine? Are you sick? Injured?"
|
|
|
|
"No."
|
|
|
|
Gibson wrinkled his nose. "A bath wouldn't hurt you any. We'll
|
|
arrange that later." He lit a cigar, blowing a cloud of gray smoke
|
|
around him. At the door of the room two lab guards stood with guns
|
|
ready. No one else was in the room beside Gibson and Milsom.
|
|
|
|
Edward Milsom sat huddled in a heap on the floor, his head sunk down
|
|
against his chest. He did not stir. His bent body seemed more
|
|
elongated and stooped than ever, his hair tousled and unkempt, his
|
|
chin and jowls a rough stubbled gray. His clothes were dirty and torn
|
|
from crawling through the brush. His skin was cut and scratched; open
|
|
sores dotted his neck and cheeks and forehead. He said nothing. His
|
|
chest rose and fell. His faded blue eyes were almost closed. He looked
|
|
quite old, a withered, dried-up old man.
|
|
|
|
Gibson waved one of the guards over. "Have a doctor brought up here.
|
|
I want this man checked over. He may need intravenous injections. He
|
|
may not have had anything to eat for awhile."
|
|
|
|
The guard departed.
|
|
|
|
"I don't want anything to happen to you," Gibson said. "Before we go
|
|
on I'll have you checked over. And deloused at the same time."
|
|
|
|
Milsom said nothing.
|
|
|
|
Gibson laughed. "Buck up! You have no reason to feel bad." He leaned
|
|
toward Milsom, jabbing an immense finger at him. "Another two hours and
|
|
you'd have been dead, out there in the mountains. You know that?"
|
|
|
|
Milsom nodded.
|
|
|
|
"You don't believe me. Look." Gibson leaned over and snapped on the
|
|
vidscreen mounted in the wall. "Watch, this. The operation should
|
|
still be going on."
|
|
|
|
The screen lit up. A scene gained form.
|
|
|
|
"This is a confidential Security channel. I had it tapped several
|
|
years ago--for my own protection. What we're seeing now is being piped
|
|
in to Eric Paddington." Gibson grinned. "Paddington arranged what you're
|
|
seeing on the screen. Pay close attention. You were there, two hours
|
|
ago."
|
|
|
|
Milsom turned toward the screen. At first he could not make out what was
|
|
happening. The screen showed a vast foaming cloud, a vortex of motion.
|
|
From the speaker came a low rumble, a deep-throated roar. After a time
|
|
the screen shifted, showing a slightly different view. Suddenly Milsom
|
|
stiffened.
|
|
|
|
He was seeing the destruction of a whole mountain range.
|
|
|
|
The picture was coming from a ship, flying above what had once been
|
|
the Albertine Mountain Range. Now there was nothing but swirling
|
|
clouds of gray and columns of particles and debris, a surging tide of
|
|
restless material gradually sweeping off and dissipating in all
|
|
directions.
|
|
|
|
The Albertine Mountains had been disintegrated. Nothing remained but
|
|
these vast clouds of debris. Below, on the ground, a ragged plain
|
|
stretched out, swept by fire and ruin. Gaping wounds yawned, immense
|
|
holes without bottom, craters side by side as far as the eye could
|
|
see. Craters and debris. Like the blasted, pitted surface of the moon.
|
|
Two hours ago it had been rolling peaks and gulleys, brush and green
|
|
bushes and trees.
|
|
|
|
Milsom turned away.
|
|
|
|
"You see?" Gibson snapped the screen off. "You were down there, not
|
|
so long ago. All that noise and smoke--all for you. All for you, Mr.
|
|
Variable Man from the past. Paddington arranged that, to finish you off.
|
|
I want you to understand that. It's very important that you realize
|
|
that."
|
|
|
|
Milsom said nothing.
|
|
|
|
Gibson reached into a drawer of the table before him. He carefully
|
|
brought out a small square box and held it out to Milsom. "You wired
|
|
this, didn't you?"
|
|
|
|
Milsom took the box in his hands and held it. For a time his tired mind
|
|
failed to focus. What did he have? He concentrated on it. The box was
|
|
the children's toy. The inter-system vidsender, they had called it.
|
|
|
|
"Yes. I fixed this." He passed it back to Gibson. "I repaired that.
|
|
It was broken."
|
|
|
|
Gibson gazed down at him intently, his large eyes bright. He nodded,
|
|
his black beard and cigar rising and falling. "Good. That's all I
|
|
wanted to know." He got suddenly to his feet, pushing his chair back.
|
|
"I see the doctor's here. He'll fix you up. Everything you need. Later
|
|
on I'll talk to you again."
|
|
|
|
Unprotesting, Milsom got to his feet, allowing the doctor to take hold
|
|
of his arm and help him up.
|
|
|
|
After Milsom had been released by the medical department, Gibson
|
|
joined him in his private dining room, a floor above the actual
|
|
laboratory.
|
|
|
|
The Pole gulped down a hasty meal, talking as he ate. Milsom sat
|
|
silently across from him, not eating or speaking. His old clothing had
|
|
been taken away and new clothing given him. He was shaved and rubbed
|
|
down. His sores and cuts were healed, his body and hair washed. He
|
|
looked much healthier and younger, now. But he was still stooped and
|
|
tired, his blue eyes worn and faded. He listened to Gibson's account
|
|
of the world of 2136 AD without comment.
|
|
|
|
"You can see," Gibson said finally, waving a chicken leg, "that your
|
|
appearance here has been very upsetting to our program. Now that you
|
|
know more about us you can see why Commissioner Paddington was so
|
|
interested in destroying you."
|
|
|
|
Milsom nodded.
|
|
|
|
"Paddington, you realize, believes that the failure of the SRB machines
|
|
is the chief danger to the war effort. But that is nothing!" Gibson
|
|
pushed his plate away noisily, draining his coffee mug. "After all,
|
|
wars _can_ be fought without statistical forecasts. The SRB machines
|
|
only describe. They're nothing more than mechanical onlookers. In
|
|
themselves, they don't affect the course of the war. _We_ make the
|
|
war. They only analyze."
|
|
|
|
Milsom nodded.
|
|
|
|
"More coffee?" Gibson asked. He pushed the plastic container toward
|
|
Milsom. "Have some."
|
|
|
|
Milsom accepted another cupful. "Thank you."
|
|
|
|
"You can see that our real problem is another thing entirely. The
|
|
machines only do figuring for us in a few minutes that eventually we
|
|
could do for our own selves. They're our servants, tools. Not some
|
|
sort of gods in a temple which we go and pray to. Not oracles who can
|
|
see into the future for us. They don't see into the future. They only
|
|
make statistical predictions--not prophecies. There's a big difference
|
|
there, but Paddington doesn't understand it. Paddington and his kind have
|
|
made such things as the SRB machines into gods. But I have no gods. At
|
|
least, not any I can see."
|
|
|
|
Milsom nodded, sipping his coffee.
|
|
|
|
"I'm telling you all these things because you must understand what
|
|
we're up against. Terra is hemmed in on all sides by the ancient
|
|
Jorblaxian Empire. It's been out there for centuries, thousands of
|
|
years. No one knows how long. It's old--crumbling and rotting. Corrupt
|
|
and venal. But it holds most of the galaxy around us, and we can't
|
|
break out of the Sol system. I told you about Icarus, and West's work
|
|
in ftl flight. We must win the war against Jorblax. We've waited and
|
|
worked a long time for this, the moment when we can break out and get
|
|
room among the stars for ourselves. Icarus is the deciding weapon. The
|
|
data on Icarus tipped the SRB odds in our favor--for the first time in
|
|
history. Success in the war against Jorblax will depend on Icarus,
|
|
not on the SRB machines. You see?"
|
|
|
|
Milsom nodded.
|
|
|
|
"However, there is a problem. The data on Icarus which I turned over
|
|
to the machines specified that Icarus would be completed in ten days.
|
|
More than half that time has already passed. Yet, we are no closer to
|
|
wiring up the control turret than we were then. The turret baffles
|
|
us." Gibson grinned ironically. "Even _I_ have tried my hand at the
|
|
wiring, but with no success. It's intricate--and small. Too many
|
|
technical bugs not worked out. We are building only one, you
|
|
understand. If we had many experimental models worked out before--"
|
|
|
|
"But this is the experimental model," Milsom said.
|
|
|
|
"And built from the designs of a man dead four years--who isn't here
|
|
to correct us. We've made Icarus with our own hands, down here in the
|
|
labs. And he's giving us plenty of trouble." All at once Gibson got
|
|
to his feet. "Let's go down to the lab and look at him."
|
|
|
|
They descended to the floor below, Gibson leading the way. Milsom
|
|
stopped short at the lab door.
|
|
|
|
"Quite a sight," Gibson agreed. "We keep him down here at the bottom
|
|
for safety's sake. He's well protected. Come on in. We have work to
|
|
do."
|
|
|
|
In the center of the lab Icarus rose up, the gray squat cylinder that
|
|
someday would flash through space at a speed of thousands of times
|
|
that of light, toward the heart of Jorblax, over four light
|
|
years away. Around the cylinder groups of men in uniform were laboring
|
|
feverishly to finish the remaining work.
|
|
|
|
"Over here. The turret." Gibson led Milsom over to one side of the
|
|
room. "It's guarded. Jorblaxian spies are swarming everywhere on Terra.
|
|
They see into everything. But so do we. That's how we get information
|
|
for the SRB machines. Spies in both systems."
|
|
|
|
The translucent globe that was the control turret reposed in the
|
|
center of a metal stand, an armed guard standing at each side. They
|
|
lowered their guns as Gibson approached.
|
|
|
|
"We don't want anything to happen to this," Gibson said. "Everything
|
|
depends on it." He put out his hand for the globe. Half way to it his
|
|
hand stopped, striking against an invisible presence in the air.
|
|
|
|
Gibson laughed. "The wall. Shut it off. It's still on."
|
|
|
|
One of the guards pressed a stud at his wrist. Around the globe the
|
|
air shimmered and faded.
|
|
|
|
"Now." Gibson's hand closed over the globe. He lifted it carefully
|
|
from its mount and brought it out for Milsom to see. "This is the
|
|
control turret for our enormous friend here. This is what will slow
|
|
him down when he's inside Jorblax. He slows down and re-enters this
|
|
universe. Right in the heart of the star. Then--no more Jorblax."
|
|
Gibson beamed. "And no more Armun."
|
|
|
|
But Milsom was not listening. He had taken the globe from Gibson and
|
|
was turning it over and over, running his hands over it, his face
|
|
close to its surface. He peered down into its interior, his face rapt
|
|
and intent.
|
|
|
|
"You can't see the wiring. Not without lenses." Gibson signalled for
|
|
a pair of micro-lenses to be brought. He fitted them on Milsom's nose,
|
|
hooking them behind his ears. "Now try it. You can control the
|
|
magnification. It's set for 1000X right now. You can increase or
|
|
decrease it."
|
|
|
|
Milsom gasped, swaying back and forth. Gibson caught hold of him. Milsom
|
|
gazed down into the globe, moving his head slightly, focussing the
|
|
glasses.
|
|
|
|
"It takes practice. But you can do a lot with them. Permits you to do
|
|
microscopic wiring. There are tools to go along, you understand."
|
|
Gibson paused, licking his lip. "We can't get it done correctly.
|
|
Only a few men can wire circuits using the micro-lenses and the little
|
|
tools. We've tried robots, but there are too many decisions to be
|
|
made. Robots can't make decisions. They just react."
|
|
|
|
Milsom said nothing. He continued to gaze into the interior of the
|
|
globe, his lips tight, his body taut and rigid. It made Gibson feel
|
|
strangely uneasy.
|
|
|
|
"You look like one of those old fortune tellers," Gibson said
|
|
jokingly, but a cold shiver crawled up his spine. "Better hand it back
|
|
to me." He held out his hand.
|
|
|
|
Slowly, Milsom returned the globe. After a time he removed the
|
|
micro-lenses, still deep in thought.
|
|
|
|
"Well?" Gibson demanded. "You know what I want. I want you to wire
|
|
this damn thing up." Gibson came close to Milsom, his big face hard.
|
|
"You can do it, I think. I could tell by the way you held it--and the
|
|
job you did on the children's toy, of course. You could wire it up
|
|
right, and in five days. Nobody else can. And if it's not wired up
|
|
Jorblax will keep on running the galaxy and Terra will have to sweat
|
|
it out here in the Sol system. One tiny mediocre sun, one dust mote
|
|
out of a whole galaxy."
|
|
|
|
Milsom did not answer.
|
|
|
|
Gibson became impatient. "Well? What do you say?"
|
|
|
|
"What happens if I don't wire this control for you? I mean, what
|
|
happens to _me_?"
|
|
|
|
"Then I turn you over to Paddington. Paddington will kill you instantly.
|
|
He thinks you're dead, killed when the Albertine Range was
|
|
annihilated. If he had any idea I had saved you--"
|
|
|
|
"I see."
|
|
|
|
"I brought you down here for one thing. If you wire it up I'll have
|
|
you sent back to your own time continuum. If you don't--"
|
|
|
|
Milsom considered, his face dark and brooding.
|
|
|
|
"What do you have to lose? You'd already be dead, if we hadn't pulled
|
|
you out of those hills."
|
|
|
|
"Can you really return me to my own time?"
|
|
|
|
"Of course!"
|
|
|
|
"Paddington won't interfere?"
|
|
|
|
Gibson laughed. "What can he do? How can he stop me? I have my own
|
|
men. You saw them. They landed all around you. You'll be returned."
|
|
|
|
"Yes. I saw your men."
|
|
|
|
"Then you agree?"
|
|
|
|
"I agree," Edward Milsom said. "I'll wire it for you. I'll complete the
|
|
control turret--within the next five days."
|
|
|
|
|
|
|
|
|
|
IV
|
|
|
|
|
|
Three days later Joseph Dixon slid a closed-circuit message plate
|
|
across the desk to his boss.
|
|
|
|
"Here. You might be interested in this."
|
|
|
|
Paddington picked the plate up slowly. "What is it? You came all the way
|
|
here to show me this?"
|
|
|
|
"That's right."
|
|
|
|
"Why didn't you vidscreen it?"
|
|
|
|
Dixon smiled grimly. "You'll understand when you decode it. It's from
|
|
Jorblax."
|
|
|
|
"Jorblax!"
|
|
|
|
"Our counter-intelligence service. They sent it direct to me. Here,
|
|
I'll decode it for you. Save you the trouble."
|
|
|
|
Dixon came around behind Paddington's desk. He leaned over the
|
|
Commissioner's shoulder, taking hold of the plate and breaking the
|
|
seal with his thumb nail.
|
|
|
|
"Hang on," Dixon said. "This is going to hit you hard. According to
|
|
our agents on Armun, the Jorblaxian High Council has called an
|
|
emergency session to deal with the problem of Terra's impending
|
|
attack. Jorblaxian relay couriers have reported to the High Council
|
|
that the Terran bomb Icarus is virtually complete. Work on the bomb
|
|
has been rushed through final stages in the underground laboratories
|
|
under the Ural Range, directed by the Terran physicist Peter
|
|
Gibson."
|
|
|
|
"So I understand from Gibson himself. Are you surprised the
|
|
Jorblaxians know about the bomb? They have spies swarming over Terra.
|
|
That's no news."
|
|
|
|
"There's more." Dixon traced the message plate grimly, with an
|
|
unsteady finger. "The Jorblaxian relay couriers reported that Peter
|
|
Gibson brought an expert mechanic out of a previous time continuum
|
|
to complete the wiring of the turret!"
|
|
|
|
Paddington staggered, holding on tight to the desk. He closed his eyes,
|
|
gasping.
|
|
|
|
"The variable man is still alive," Dixon murmured. "I don't know how.
|
|
Or why. There's nothing left of the Albertines. And how the hell did
|
|
the man get half way around the world?"
|
|
|
|
Paddington opened his eyes slowly, his face twisting. "Gibson! He must
|
|
have removed him before the attack. I told Gibson the attack was
|
|
forthcoming. I gave him the exact hour. He had to get help--from the
|
|
variable man. He couldn't meet his promise otherwise."
|
|
|
|
Paddington leaped up and began to pace back and forth. "I've already
|
|
informed the SRB machines that the variable man has been destroyed.
|
|
The machines now show the original 7-6 ratio in our favor. But the
|
|
ratio is based on false information."
|
|
|
|
"Then you'll have to withdraw the false data and restore the original
|
|
situation."
|
|
|
|
"No." Paddington shook his head. "I can't do that. The machines must be
|
|
kept functioning. We can't allow them to jam again. It's too
|
|
dangerous. If Wheeler should become aware that--"
|
|
|
|
"What are you going to do, then?" Dixon picked up the message plate.
|
|
"You can't leave the machines with false data. That's treason."
|
|
|
|
"The data can't be withdrawn! Not unless equivalent data exists to
|
|
take its place." Paddington paced angrily back and forth. "Damn it, I
|
|
was _certain_ the man was dead. This is an incredible situation. He
|
|
must be eliminated--at any cost."
|
|
|
|
Suddenly Paddington stopped pacing. "The turret. It's probably finished
|
|
by this time. Correct?"
|
|
|
|
Dixon nodded slowly in agreement. "With the variable man helping,
|
|
Gibson has undoubtedly completed work well ahead of schedule."
|
|
|
|
Paddington's gray eyes flickered. "Then he's no longer of any use--even
|
|
to Gibson. We could take a chance.... Even if there were active
|
|
opposition...."
|
|
|
|
"What's this?" Dixon demanded. "What are you thinking about?"
|
|
|
|
"How many units are ready for immediate action? How large a force can
|
|
we raise without notice?"
|
|
|
|
"Because of the war we're mobilized on a twenty-four hour basis. There
|
|
are seventy air units and about two hundred surface units. The balance
|
|
of the Security forces have been transferred to the line, under
|
|
military control."
|
|
|
|
"Men?"
|
|
|
|
"We have about five thousand men ready to go, still on Terra. Most of
|
|
them in the process of being transferred to military transports. I can
|
|
hold it up at any time."
|
|
|
|
"Missiles?"
|
|
|
|
"Fortunately, the launching tubes have not yet been disassembled.
|
|
They're still here on Terra. In another few days they'll be moving out
|
|
for the Colonial fracas."
|
|
|
|
"Then they're available for immediate use?"
|
|
|
|
"Yes."
|
|
|
|
"Good." Paddington locked his hands, knotting his fingers harshly
|
|
together in sudden decision. "That will do exactly. Unless I am
|
|
completely wrong, Gibson has only a half-dozen air units and no
|
|
surface cars. And only about two hundred men. Some defense shields, of
|
|
course--"
|
|
|
|
"What are you planning?"
|
|
|
|
Paddington's face was gray and hard, like stone. "Send out orders for
|
|
all available Security units to be unified under your immediate
|
|
command. Have them ready to move by four o'clock this afternoon. We're
|
|
going to pay a visit," Paddington stated grimly. "A surprise visit. On
|
|
Peter Gibson."
|
|
|
|
* * * * *
|
|
|
|
"Stop here," Paddington ordered.
|
|
|
|
The surface car slowed to a halt. Paddington peered cautiously out,
|
|
studying the horizon ahead.
|
|
|
|
On all sides a desert of scrub grass and sand stretched out. Nothing
|
|
moved or stirred. To the right the grass and sand rose up to form
|
|
immense peaks, a range of mountains without end, disappearing finally
|
|
into the distance. The Urals.
|
|
|
|
"Over there," Paddington said to Dixon, pointing. "See?"
|
|
|
|
"No."
|
|
|
|
"Look hard. It's difficult to spot unless you know what to look for.
|
|
Vertical pipes. Some kind of vent. Or periscopes."
|
|
|
|
Dixon saw them finally. "I would have driven past without noticing."
|
|
|
|
"It's well concealed. The main labs are a mile down. Under the range
|
|
itself. It's virtually impregnable. Gibson had it built years ago,
|
|
to withstand any attack. From the air, by surface cars, bombs,
|
|
missiles--"
|
|
|
|
"He must feel safe down there."
|
|
|
|
"No doubt." Paddington gazed up at the sky. A few faint black dots could
|
|
be seen, moving lazily about, in broad circles. "Those aren't ours,
|
|
are they? I gave orders--"
|
|
|
|
"No. They're not ours. All our units are out of sight. Those belong to
|
|
Gibson. His patrol."
|
|
|
|
Paddington relaxed. "Good." He reached over and flicked on the vidscreen
|
|
over the board of the car. "This screen is shielded? It can't be
|
|
traced?"
|
|
|
|
"There's no way they can spot it back to us. It's non-directional."
|
|
|
|
The screen glowed into life. Paddington punched the combination keys and
|
|
sat back to wait.
|
|
|
|
After a time an image formed on the screen. A heavy face, bushy black
|
|
beard and large eyes.
|
|
|
|
Peter Gibson gazed at Paddington with surprised curiosity.
|
|
"Commissioner! Where are you calling from? What--"
|
|
|
|
"How's the work progressing?" Paddington broke in coldly. "Is Icarus
|
|
almost complete?"
|
|
|
|
Gibson beamed with expansive pride. "He's done, Commissioner. Two
|
|
days ahead of time. Icarus is ready to be launched into space. I tried
|
|
to call your office, but they told me--"
|
|
|
|
"I'm not at my office." Paddington leaned toward the screen. "Open your
|
|
entrance tunnel at the surface. You're about to receive visitors."
|
|
|
|
Gibson blinked. "Visitors?"
|
|
|
|
"I'm coming down to see you. About Icarus. Have the tunnel opened for
|
|
me at once."
|
|
|
|
"Exactly where are you, Commissioner?"
|
|
|
|
"On the surface."
|
|
|
|
Gibson's eyes flickered. "Oh? But--"
|
|
|
|
"Open up!" Paddington snapped. He glanced at his wristwatch. "I'll be at
|
|
the entrance in five minutes. I expect to find it ready for me."
|
|
|
|
"Of course." Gibson nodded in bewilderment. "I'm always glad to see
|
|
you, Commissioner. But I--"
|
|
|
|
"Five minutes, then." Paddington cut the circuit. The screen died. He
|
|
turned quickly to Dixon. "You stay up here, as we arranged. I'll go
|
|
down with one company of police. You understand the necessity of exact
|
|
timing on this?"
|
|
|
|
"We won't slip up. Everything's ready. All units are in their places."
|
|
|
|
"Good." Paddington pushed the door open for him. "You join your
|
|
directional staff. I'll proceed toward the tunnel entrance."
|
|
|
|
"Good luck." Dixon leaped out of the car, onto the sandy ground. A
|
|
gust of dry air swirled into the car around Paddington. "I'll see you
|
|
later."
|
|
|
|
Paddington slammed the door. He turned to the group of police crouched
|
|
in the rear of the car, their guns held tightly. "Here we go,"
|
|
Paddington murmured. "Hold on."
|
|
|
|
The car raced across the sandy ground, toward the tunnel entrance to
|
|
Gibson's underground fortress.
|
|
|
|
Gibson met Paddington at the bottom end of the tunnel, where the
|
|
tunnel opened up onto the main floor of the lab.
|
|
|
|
The big Pole approached, his hand out, beaming with pride and
|
|
satisfaction. "It's a pleasure to see you, Commissioner. This is an
|
|
historic moment."
|
|
|
|
Paddington got out of the car, with his group of armed Security police.
|
|
"Calls for a celebration, doesn't it?" he said.
|
|
|
|
"That's a good idea! We're two days ahead, Commissioner. The SRB
|
|
machines will be interested. The odds should change abruptly at the
|
|
news."
|
|
|
|
"Let's go down to the lab. I want to see the control turret myself."
|
|
|
|
A shadow crossed Gibson's face. "I'd rather not bother the workmen
|
|
right now, Commissioner. They've been under a great load, trying to
|
|
complete the turret in time. I believe they're putting a few last
|
|
finishes on it at this moment."
|
|
|
|
"We can view them by vidscreen. I'm curious to see them at work. It
|
|
must be difficult to wire such minute relays."
|
|
|
|
Gibson shook his head. "Sorry, Commissioner. No vidscreen on them. I
|
|
won't allow it. This is too important. Our whole future depends on
|
|
it."
|
|
|
|
Paddington snapped a signal to his company of police. "Put this man
|
|
under arrest."
|
|
|
|
Gibson blanched. His mouth fell open. The police moved quickly
|
|
around him, their gun tubes up, jabbing into him. He was searched
|
|
rapidly, efficiently. His gun belt and concealed energy screen were
|
|
yanked off.
|
|
|
|
"What's going on?" Gibson demanded, some color returning to his
|
|
face. "What are you doing?"
|
|
|
|
"You're under arrest for the duration of the war. You're relieved of
|
|
all authority. From now on one of my men will operate Designs. When
|
|
the war is over you'll be tried before the Council and President
|
|
Wheeler."
|
|
|
|
Gibson shook his head, dazed. "I don't understand. What's this all
|
|
about? Explain it to me, Commissioner. What's happened?"
|
|
|
|
Paddington signalled to his police. "Get ready. We're going into the
|
|
lab. We may have to shoot our way in. The variable man should be in
|
|
the area of the bomb, working on the control turret."
|
|
|
|
Instantly Gibson's face hardened. His black eyes glittered, alert
|
|
and hostile.
|
|
|
|
Paddington laughed harshly. "We received a counter-intelligence report
|
|
from Jorblax. I'm surprised at you, Gibson. You know the
|
|
Jorblaxians are everywhere with their relay couriers. You should have
|
|
known--"
|
|
|
|
Gibson moved. Fast. All at once he broke away from the police,
|
|
throwing his massive body against them. They fell, scattering.
|
|
Gibson ran--directly at the wall. The police fired wildly. Paddington
|
|
fumbled frantically for his gun tube, pulling it up.
|
|
|
|
Gibson reached the wall, running head down, energy beams flashing
|
|
around him. He struck against the wall--and vanished.
|
|
|
|
"Down!" Paddington shouted. He dropped to his hands and knees. All
|
|
around him his police dived for the floor. Paddington cursed wildly,
|
|
dragging himself quickly toward the door. They had to get out, and
|
|
right away. Gibson had escaped. A false wall, an energy barrier set
|
|
to respond to his pressure. He had dashed through it to safety. He--
|
|
|
|
From all sides an inferno burst, a flaming roar of death surging over
|
|
them, around them, on every side. The room was alive with blazing
|
|
masses of destruction, bouncing from wall to wall. They were caught
|
|
between four banks of power, all of them open to full discharge. A
|
|
trap--a death trap.
|
|
|
|
* * * * *
|
|
|
|
Paddington reached the hall gasping for breath. He leaped to his feet. A
|
|
few Security police followed him. Behind them, in the flaming room,
|
|
the rest of the company screamed and struggled, blasted out of
|
|
existence by the leaping bursts of power.
|
|
|
|
Paddington assembled his remaining men. Already, Gibson's guards were
|
|
forming. At one end of the corridor a snub-barreled robot gun was
|
|
maneuvering into position. A siren wailed. Guards were running on all
|
|
sides, hurrying to battle stations.
|
|
|
|
The robot gun opened fire. Part of the corridor exploded, bursting
|
|
into fragments. Clouds of choking debris and particles swept around
|
|
them. Paddington and his police retreated, moving back along the
|
|
corridor.
|
|
|
|
They reached a junction. A second robot gun was rumbling toward them,
|
|
hurrying to get within range. Paddington fired carefully, aiming at its
|
|
delicate control. Abruptly the gun spun convulsively. It lashed
|
|
against the wall, smashing itself into the unyielding metal. Then it
|
|
collapsed in a heap, gears still whining and spinning.
|
|
|
|
"Come on." Paddington moved away, crouching and running. He glanced at
|
|
his watch. _Almost time._ A few more minutes. A group of lab guards
|
|
appeared ahead of them. Paddington fired. Behind him his police fired
|
|
past him, violet shafts of energy catching the group of guards as they
|
|
entered the corridor. The guards spilled apart, falling and twisting.
|
|
Part of them settled into dust, drifting down the corridor. Paddington
|
|
made his way toward the lab, crouching and leaping, pushing past heaps
|
|
of debris and remains, followed by his men. "Come on! Don't stop!"
|
|
|
|
* * * * *
|
|
|
|
Suddenly from around them the booming, enlarged voice of Gibson
|
|
thundered, magnified by rows of wall speakers along the corridor.
|
|
Paddington halted, glancing around.
|
|
|
|
"Paddington! You haven't got a chance. You'll never get back to the
|
|
surface. Throw down your guns and give up. You're surrounded on all
|
|
sides. You're a mile, under the surface."
|
|
|
|
Paddington threw himself into motion, pushing into billowing clouds of
|
|
particles drifting along the corridor. "Are you sure, Gibson?" he
|
|
grunted.
|
|
|
|
Gibson laughed, his harsh, metallic peals rolling in waves against
|
|
Paddington's eardrums. "I don't want to have to kill you, Commissioner.
|
|
You're vital to the war: I'm sorry you found out about the variable
|
|
man. I admit we overlooked the Jorblaxian espionage as a factor in
|
|
this. But now that you know about him--"
|
|
|
|
Suddenly Gibson's voice broke off. A deep rumble had shaken the
|
|
floor, a lapping vibration that shuddered through the corridor.
|
|
|
|
Paddington sagged with relief. He peered through the clouds of debris,
|
|
making out the figures on his watch. Right on time. Not a second late.
|
|
|
|
The first of the hydrogen missiles, launched from the Council
|
|
buildings on the other side of the world, were beginning to arrive.
|
|
The attack had begun.
|
|
|
|
At exactly six o'clock Joseph Dixon, standing on the surface four
|
|
miles from the entrance tunnel, gave the sign to the waiting units.
|
|
|
|
The first job was to break down Gibson's defense screens. The
|
|
missiles had to penetrate without interference. At Dixon's signal a
|
|
fleet of thirty Security ships dived from a height of ten miles,
|
|
swooping above the mountains, directly over the underground
|
|
laboratories. Within five minutes the defense screens had been
|
|
smashed, and all the tower projectors leveled flat. Now the mountains
|
|
were virtually unprotected.
|
|
|
|
"So far so good," Dixon murmured, as he watched from his secure
|
|
position. The fleet of Security ships roared back, their work done.
|
|
Across the face of the desert the police surface cars were crawling
|
|
rapidly toward the entrance tunnel, snaking from side to side.
|
|
|
|
Meanwhile, Gibson's counter-attack had begun to go into operation.
|
|
|
|
Guns mounted among the hills opened fire. Vast columns of flame burst
|
|
up in the path of the advancing cars. The cars hesitated and
|
|
retreated, as the plain was churned up by a howling vortex, a
|
|
thundering chaos of explosions. Here and there a car vanished in a
|
|
cloud of particles. A group of cars moving away suddenly scattered,
|
|
caught up by a giant wind that lashed across them and swept them up
|
|
into the air.
|
|
|
|
Dixon gave orders to have the cannon silenced. The police air arm
|
|
again swept overhead, a sullen roar of jets that shook the ground
|
|
below. The police ships divided expertly and hurtled down on the
|
|
cannon protecting the hills.
|
|
|
|
The cannon forgot the surface cars and lifted their snouts to meet the
|
|
attack. Again and again the airships came, rocking the mountains with
|
|
titanic blasts.
|
|
|
|
The guns became silent. Their echoing boom diminished, died away
|
|
reluctantly, as bombs took critical toll of them.
|
|
|
|
Dixon watched with satisfaction as the bombing came to an end. The
|
|
airships rose in a thick swarm, black gnats shooting up in triumph
|
|
from a dead carcass. They hurried back as emergency anti-aircraft
|
|
robot guns swung into position and saturated the sky with blazing
|
|
puffs of energy.
|
|
|
|
Dixon checked his wristwatch. The missiles were already on the way
|
|
from North America. Only a few minutes remained.
|
|
|
|
The surface cars, freed by the successful bombing, began to regroup
|
|
for a new frontal attack. Again they crawled forward, across the
|
|
burning plain, bearing down cautiously on the battered wall of
|
|
mountains, heading toward the twisted wrecks that had been the ring of
|
|
defense guns. Toward the entrance tunnel.
|
|
|
|
An occasional cannon fired feebly at them. The cars came grimly on.
|
|
Now, in the hollows of the hills, Gibson's troops were hurrying to
|
|
the surface to meet the attack. The first car reached the shadow of
|
|
the mountains....
|
|
|
|
A deafening hail of fire burst loose. Small robot guns appeared
|
|
everywhere, needle barrels emerging from behind hidden screens, trees
|
|
and shrubs, rocks, stones. The police cars were caught in a withering
|
|
cross-fire, trapped at the base of the hills.
|
|
|
|
Down the slopes Gibson's guards raced, toward the stalled cars.
|
|
Clouds of heat rose up and boiled across the plain as the cars fired
|
|
up at the running men. A robot gun dropped like a slug onto the plain
|
|
and screamed toward the cars, firing as it came.
|
|
|
|
Dixon twisted nervously. Only a few minutes. Any time, now. He shaded
|
|
his eyes and peered up at the sky. No sign of them yet. He wondered
|
|
about Paddington. No signal had come up from below. Clearly, Paddington
|
|
had run into trouble. No doubt there was desperate fighting going on
|
|
in the maze of underground tunnels, the intricate web of passages that
|
|
honeycombed the earth below the mountains.
|
|
|
|
In the air, Gibson's few defense ships were taking on the police
|
|
raiders. Outnumbered, the defense ships darted rapidly, wildly,
|
|
putting up a futile fight.
|
|
|
|
Gibson's guards streamed out onto the plain. Crouching and running,
|
|
they advanced toward the stalled cars. The police airships screeched
|
|
down at them, guns thundering.
|
|
|
|
Dixon held his breath. When the missiles arrived--
|
|
|
|
The first missile struck. A section of the mountain vanished, turned
|
|
to smoke and foaming gasses. The wave of heat slapped Dixon across the
|
|
face, spinning him around. Quickly he re-entered his ship and took
|
|
off, shooting rapidly away from the scene. He glanced back. A second
|
|
and third missile had arrived. Great gaping pits yawned among the
|
|
mountains, vast sections missing like broken teeth. Now the missiles
|
|
could penetrate to the underground laboratories below.
|
|
|
|
On the ground, the surface cars halted beyond the danger area, waiting
|
|
for the missile attack to finish. When the eighth missile had struck,
|
|
the cars again moved forward. No more missiles fell.
|
|
|
|
Dixon swung his ship around, heading back toward the scene. The
|
|
laboratory was exposed. The top sections of it had been ripped open.
|
|
The laboratory lay like a tin can, torn apart by mighty explosions,
|
|
its first floors visible from the air. Men and cars were pouring down
|
|
into it, fighting with the guards swarming to the surface.
|
|
|
|
* * * * *
|
|
|
|
Dixon watched intently. Gibson's men were bringing up heavy guns,
|
|
big robot artillery. But the police ships were diving again.
|
|
Gibson's defensive patrols had been cleaned from the sky. The police
|
|
ships whined down, arcing over the exposed laboratory. Small bombs
|
|
fell, whistling down, pin-pointing the artillery rising to the surface
|
|
on the remaining lift stages.
|
|
|
|
Abruptly Dixon's vidscreen clicked. Dixon turned toward it.
|
|
|
|
Paddington's features formed. "Call off the attack." His uniform was
|
|
torn. A deep bloody gash crossed his cheek. He grinned sourly at
|
|
Dixon, pushing his tangled hair back out of his face. "Quite a fight."
|
|
|
|
"Gibson--"
|
|
|
|
"He's called off his guards. We've agreed to a truce. It's all over.
|
|
No more needed." Paddington gasped for breath, wiping grime and sweat
|
|
from his neck. "Land your ship and come down here at once."
|
|
|
|
"The variable man?"
|
|
|
|
"That comes next," Paddington said grimly. He adjusted his gun tube. "I
|
|
want you down here, for that part. I want you to be in on the kill."
|
|
|
|
Paddington turned away from the vidscreen. In the corner of the room
|
|
Gibson stood silently, saying nothing. "Well?" Paddington barked.
|
|
"Where is he? Where will I find him?"
|
|
|
|
Gibson licked his lips nervously, glancing up at Paddington.
|
|
"Commissioner, are you sure--"
|
|
|
|
"The attack has been called off. Your labs are safe. So is your life.
|
|
Now it's your turn to come through." Paddington gripped his gun, moving
|
|
toward Gibson. "_Where is he?_"
|
|
|
|
For a moment Gibson hesitated. Then slowly his huge body sagged,
|
|
defeated. He shook his head wearily. "All right. I'll show you where
|
|
he is." His voice was hardly audible, a dry whisper. "Down this way.
|
|
Come on."
|
|
|
|
Paddington followed Gibson out of the room, into the corridor. Police
|
|
and guards were working rapidly, clearing the debris and ruins away,
|
|
putting out the hydrogen fires that burned everywhere. "No tricks,
|
|
Gibson."
|
|
|
|
"No tricks." Gibson nodded resignedly. "Edward Milsom is by himself.
|
|
In a wing lab off the main rooms."
|
|
|
|
"Milsom?"
|
|
|
|
"The variable man. That's his name." The Pole turned his massive head
|
|
a little. "He has a name."
|
|
|
|
Paddington waved his gun. "Hurry up. I don't want anything to go wrong.
|
|
This is the part I came for."
|
|
|
|
"You must remember something, Commissioner."
|
|
|
|
"What is it?"
|
|
|
|
Gibson stopped walking. "Commissioner, nothing must happen to the
|
|
globe. The control turret. Everything depends on it, the war, our
|
|
whole--"
|
|
|
|
"I know. Nothing will happen to the damn thing. Let's go."
|
|
|
|
"If it should get damaged--"
|
|
|
|
"I'm not after the globe. I'm interested only in--in Edward Milsom."
|
|
|
|
They came to the end of the corridor and stopped before a metal door.
|
|
Gibson nodded at the door. "In there."
|
|
|
|
Paddington moved back. "Open the door."
|
|
|
|
"Open it yourself. I don't want to have anything to do with it."
|
|
|
|
Paddington shrugged. He stepped up to the door. Holding his gun level he
|
|
raised his hand, passing it in front of the eye circuit. Nothing
|
|
happened.
|
|
|
|
Paddington frowned. He pushed the door with his hand. The door slid
|
|
open. Paddington was looking into a small laboratory. He glimpsed a
|
|
workbench, tools, heaps of equipment, measuring devices, and in the
|
|
center of the bench the transparent globe, the control turret.
|
|
|
|
"Milsom?" Paddington advanced quickly into the room. He glanced around
|
|
him, suddenly alarmed. "Where--"
|
|
|
|
The room was empty. Edward Milsom was gone.
|
|
|
|
When the first missile struck, Milsom stopped work and sat listening.
|
|
|
|
Far off, a distant rumble rolled through the earth, shaking the floor
|
|
under him. On the bench, tools and equipment danced up and down. A
|
|
pair of pliers fell crashing to the floor. A box of screws tipped
|
|
over, spilling its minute contents out.
|
|
|
|
Milsom listened for a time. Presently he lifted the transparent globe
|
|
from the bench. With carefully controlled hands he held the globe up,
|
|
running his fingers gently over the surface, his faded blue eyes
|
|
thoughtful. Then, after a time, he placed the globe back on the bench,
|
|
in its mount.
|
|
|
|
The globe was finished. A faint glow of pride moved through the
|
|
variable man. The globe was the finest job he had ever done.
|
|
|
|
The deep rumblings ceased. Milsom became instantly alert. He jumped down
|
|
from his stool, hurrying across the room to the door. For a moment he
|
|
stood by the door listening intently. He could hear noise on the other
|
|
side, shouts, guards rushing past, dragging heavy equipment, working
|
|
frantically.
|
|
|
|
A rolling crash echoed down the corridor and lapped against his door.
|
|
The concussion spun him around. Again a tide of energy shook the walls
|
|
and floor and sent him down on his knees.
|
|
|
|
The lights flickered and winked out.
|
|
|
|
Milsom fumbled in the dark until he found a flashlight. Power failure.
|
|
He could hear crackling flames. Abruptly the lights came on again, an
|
|
ugly yellow, then faded back out. Milsom bent down and examined the door
|
|
with his flashlight. A magnetic lock. Dependent on an externally
|
|
induced electric flux. He grabbed a screwdriver and pried at the door.
|
|
For a moment it held. Then it fell open.
|
|
|
|
Milsom stepped warily out into the corridor. Everything was in shambles.
|
|
Guards wandered everywhere, burned and half-blinded. Two lay groaning
|
|
under a pile of wrecked equipment. Fused guns, reeking metal. The air
|
|
was heavy with the smell of burning wiring and plastic. A thick cloud
|
|
that choked him and made him bend double as he advanced.
|
|
|
|
"Halt," a guard gasped feebly, struggling to rise. Milsom pushed past
|
|
him and down the corridor. Two small robot guns, still functioning,
|
|
glided past him hurriedly toward the drumming chaos of battle. He
|
|
followed.
|
|
|
|
At a major intersection the fight was in full swing. Gibson's guards
|
|
fought Security police, crouched behind pillars and barricades, firing
|
|
wildly, desperately. Again the whole structure shuddered as a great
|
|
booming blast ignited some place above. Bombs? Shells?
|
|
|
|
Milsom threw himself down as a violet beam cut past his ear and
|
|
disintegrated the wall behind him. A Security policeman, wild-eyed,
|
|
firing erratically. One of Gibson's guards winged him and his gun
|
|
skidded to the floor.
|
|
|
|
A robot cannon turned toward him as he made his way past the
|
|
intersection. He began to run. The cannon rolled along behind him,
|
|
aiming itself uncertainly. Milsom hunched over as he shambled rapidly
|
|
along, gasping for breath. In the flickering yellow light he saw a
|
|
handful of Security police advancing, firing expertly, intent on a
|
|
line of defense Gibson's guards had hastily set up.
|
|
|
|
The robot cannon altered its course to take them on, and Milsom escaped
|
|
around a corner.
|
|
|
|
He was in the main lab, the big chamber where Icarus himself rose, the
|
|
vast squat column.
|
|
|
|
Icarus! A solid wall of guards surrounded him, grim-faced, hugging
|
|
guns and protection shields. But the Security police were leaving
|
|
Icarus alone. Nobody wanted to damage him. Milsom evaded a lone guard
|
|
tracking him and reached the far side of the lab.
|
|
|
|
It took him only a few seconds to find the force field generator.
|
|
There was no switch. For a moment that puzzled him--and then he
|
|
remembered. The guard had controlled it from his wrist.
|
|
|
|
Too late to worry about that. With his screwdriver he unfastened the
|
|
plate over the generator and ripped out the wiring in handfuls. The
|
|
generator came loose and he dragged it away from the wall. The screen
|
|
was off, thank God. He managed to carry the generator into a side
|
|
corridor.
|
|
|
|
Crouched in a heap, Milsom bent over the generator, deft fingers flying.
|
|
He pulled the wiring to him and laid it out on the floor, tracing the
|
|
circuits with feverish haste.
|
|
|
|
The adaptation was easier than he had expected. The screen flowed at
|
|
right angles to the wiring, for a distance of six feet. Each lead was
|
|
shielded on one side; the field radiated outward, leaving a hollow
|
|
cone in the center. He ran the wiring through his belt, down his
|
|
trouser legs, under his shirt, all the way to his wrists and ankles.
|
|
|
|
He was just snatching up the heavy generator when two Security police
|
|
appeared. They raised their blasters and fired point-blank.
|
|
|
|
Milsom clicked on the screen. A vibration leaped through him that
|
|
snapped his jaw and danced up his body. He staggered away,
|
|
half-stupefied by the surging force that radiated out from him. The
|
|
violet rays struck the field and deflected harmlessly.
|
|
|
|
He was safe.
|
|
|
|
He hurried on down the corridor, past a ruined gun and sprawled bodies
|
|
still clutching blasters. Great drifting clouds of radioactive
|
|
particles billowed around him. He edged by one cloud nervously. Guards
|
|
lay everywhere, dying and dead, partly destroyed, eaten and corroded
|
|
by the hot metallic salts in the air. He had to get out--and fast.
|
|
|
|
At the end of the corridor a whole section of the fortress was in
|
|
ruins. Towering flames leaped on all sides. One of the missiles had
|
|
penetrated below ground level.
|
|
|
|
Milsom found a lift that still functioned. A load of wounded guards was
|
|
being raised to the surface. None of them paid any attention to him.
|
|
Flames surged around the lift, licking at the wounded. Workmen were
|
|
desperately trying to get the lift into action. Milsom leaped onto the
|
|
lift. A moment later it began to rise, leaving the shouts and the
|
|
flames behind.
|
|
|
|
The lift emerged on the surface and Milsom jumped off. A guard spotted
|
|
him and gave chase. Crouching, Milsom dodged into a tangled mass of
|
|
twisted metal, still white-hot and smoking. He ran for a distance,
|
|
leaping from the side of a ruined defense-screen tower, onto the fused
|
|
ground and down the side of a hill. The ground was hot underfoot. He
|
|
hurried as fast as he could, gasping for breath. He came to a long
|
|
slope and scrambled up the side.
|
|
|
|
The guard who had followed was gone, lost behind in the rolling clouds
|
|
of ash that drifted from the ruins of Gibson's underground fortress.
|
|
|
|
Milsom reached the top of the hill. For a brief moment he halted to get
|
|
his breath and figure where he was. It was almost evening. The sun was
|
|
beginning to set. In the darkening sky a few dots still twisted and
|
|
rolled, black specks that abruptly burst into flame and fused out
|
|
again.
|
|
|
|
Milsom stood up cautiously, peering around him. Ruins stretched out
|
|
below, on all sides, the furnace from which he had escaped. A chaos of
|
|
incandescent metal and debris, gutted and wrecked beyond repair. Miles
|
|
of tangled rubbish and half-vaporized equipment.
|
|
|
|
He considered. Everyone was busy putting out the fires and pulling the
|
|
wounded to safety. It would be awhile before he was missed. But as
|
|
soon as they realized he was gone they'd be after him. Most of the
|
|
laboratory had been destroyed. Nothing lay back that way.
|
|
|
|
Beyond the ruins lay the great Ural peaks, the endless mountains,
|
|
stretching out as far as the eye could see.
|
|
|
|
Mountains and green forests. A wilderness. They'd never find him
|
|
there.
|
|
|
|
Milsom started along the side of the hill, walking slowly and carefully,
|
|
his screen generator under his arm. Probably in the confusion he could
|
|
find enough food and equipment to last him indefinitely. He could wait
|
|
until early morning, then circle back toward the ruins and load up.
|
|
With a few tools and his own innate skill he would get along fine. A
|
|
screwdriver, hammer, nails, odds and ends--
|
|
|
|
A great hum sounded in his ears. It swelled to a deafening roar.
|
|
Startled, Milsom whirled around. A vast shape filled the sky behind him,
|
|
growing each moment. Milsom stood frozen, utterly transfixed. The shape
|
|
thundered over him, above his head, as he stood stupidly, rooted to
|
|
the spot.
|
|
|
|
Then, awkwardly, uncertainly, he began to run. He stumbled and fell
|
|
and rolled a short distance down the side of the hill. Desperately, he
|
|
struggled to hold onto the ground. His hands dug wildly, futilely,
|
|
into the soft soil, trying to keep the generator under his arm at the
|
|
same time.
|
|
|
|
A flash, and a blinding spark of light around him.
|
|
|
|
The spark picked him up and tossed him like a dry leaf. He grunted in
|
|
agony as searing fire crackled about him, a blazing inferno that
|
|
gnawed and ate hungrily through his screen. He spun dizzily and fell
|
|
through the cloud of fire, down into a pit of darkness, a vast gulf
|
|
between two hills. His wiring ripped off. The generator tore out of
|
|
his grip and was lost behind. Abruptly, his force field ceased.
|
|
|
|
Milsom lay in the darkness at the bottom of the hill. His whole body
|
|
shrieked in agony as the unholy fire played over him. He was a blazing
|
|
cinder, a half-consumed ash flaming in a universe of darkness. The
|
|
pain made him twist and crawl like an insect, trying to burrow into
|
|
the ground. He screamed and shrieked and struggled to escape, to get
|
|
away from the hideous fire. To reach the curtain of darkness beyond,
|
|
where it was cool and silent, where the flames couldn't crackle and
|
|
eat at him.
|
|
|
|
He reached imploringly out, into the darkness, groping feebly toward
|
|
it, trying to pull himself into it. Gradually, the glowing orb that
|
|
was his own body faded. The impenetrable chaos of night descended. He
|
|
allowed the tide to sweep over him, to extinguish the searing fire.
|
|
|
|
Dixon landed his ship expertly, bringing it to a halt in front of an
|
|
overturned defense tower. He leaped out and hurried across the smoking
|
|
ground.
|
|
|
|
From a lift Paddington appeared, surrounded by his Security police. "He
|
|
got away from us! He escaped!"
|
|
|
|
"He didn't escape," Dixon answered. "I got him myself."
|
|
|
|
Paddington quivered violently. "What do you mean?"
|
|
|
|
"Come along with me. Over in this direction." He and Paddington climbed
|
|
the side of a demolished hill, both of them panting for breath. "I was
|
|
landing. I saw a figure emerge from a lift and run toward the
|
|
mountains, like some sort of animal. When he came out in the open I
|
|
dived on him and released a phosphorus bomb."
|
|
|
|
"Then he's--_dead_?"
|
|
|
|
"I don't see how anyone could have lived through a phosphorus bomb."
|
|
They reached the top of the hill. Dixon halted, then pointed excitedly
|
|
down into the pit beyond the hill. "There!"
|
|
|
|
They descended cautiously. The ground was singed and burned clean.
|
|
Clouds of smoke hung heavily in the air. Occasional fires still
|
|
flickered here and there. Paddington coughed and bent over to see. Dixon
|
|
flashed on a pocket flare and set it beside the body.
|
|
|
|
The body was charred, half destroyed by the burning phosphorus. It lay
|
|
motionless, one arm over its face, mouth open, legs sprawled
|
|
grotesquely. Like some abandoned rag doll, tossed in an incinerator
|
|
and consumed almost beyond recognition.
|
|
|
|
"He's alive!" Dixon muttered. He felt around curiously. "Must have had
|
|
some kind of protection screen. Amazing that a man could--"
|
|
|
|
"It's him? It's really him?"
|
|
|
|
"Fits the description." Dixon tore away a handful of burned clothing.
|
|
"This is the variable man. What's left of him, at least."
|
|
|
|
Paddington sagged with relief. "Then we've finally got him. The data is
|
|
accurate. He's no longer a factor."
|
|
|
|
Dixon got out his blaster and released the safety catch thoughtfully.
|
|
"If you want, I can finish the job right now."
|
|
|
|
At that moment Gibson appeared, accompanied by two armed Security
|
|
police. He strode grimly down the hillside, black eyes snapping. "Did
|
|
Milsom--" He broke off. "Good God."
|
|
|
|
"Dixon got him with a phosphorus bomb," Paddington said noncommittally.
|
|
"He had reached the surface and was trying to get into the mountains."
|
|
|
|
Gibson turned wearily away. "He was an amazing person. During the
|
|
attack he managed to force the lock on his door and escape. The guards
|
|
fired at him, but nothing happened. He had rigged up some kind of
|
|
force field around him. Something he adapted."
|
|
|
|
"Anyhow, it's over with," Paddington answered. "Did you have SRB plates
|
|
made up on him?"
|
|
|
|
Gibson reached slowly into his coat. He drew out a manila envelope.
|
|
"Here's all the information I collected about him, while he was with
|
|
me."
|
|
|
|
"Is it complete? Everything previous has been merely fragmentary."
|
|
|
|
"As near complete as I could make it. It includes photographs and
|
|
diagrams of the interior of the globe. The turret wiring he did for
|
|
me. I haven't had a chance even to look at them." Gibson fingered
|
|
the envelope. "What are you going to do with Milsom?"
|
|
|
|
"Have him loaded up, taken back to the city--and officially put to
|
|
sleep by the Euthanasia Ministry."
|
|
|
|
"Legal murder?" Gibson's lips twisted. "Why don't you simply do it
|
|
right here and get it over with?"
|
|
|
|
Paddington grabbed the envelope and stuck it in his pocket. "I'll turn
|
|
this right over to the machines." He motioned to Dixon. "Let's go. Now
|
|
we can notify the fleet to prepare for the attack on Jorblax." He
|
|
turned briefly back to Gibson. "When can Icarus be launched?"
|
|
|
|
"In an hour or so, I suppose. They're locking the control turret in
|
|
place. Assuming it functions correctly, that's all that's needed."
|
|
|
|
"Good. I'll notify Wheeler to send out the signal to the warfleet."
|
|
Paddington nodded to the police to take Gibson to the waiting Security
|
|
ship. Gibson moved off dully, his face gray and haggard. Milsom's
|
|
inert body was picked up and tossed onto a freight cart. The cart
|
|
rumbled into the hold of the Security ship and the lock slid shut
|
|
after it.
|
|
|
|
"It'll be interesting to see how the machines respond to the
|
|
additional data," Dixon said.
|
|
|
|
"It should make quite an improvement in the odds," Paddington agreed. He
|
|
patted the envelope, bulging in his inside pocket. "We're two days
|
|
ahead of time."
|
|
|
|
* * * * *
|
|
|
|
Margaret Wheeler got up slowly from her desk. She pushed her chair
|
|
automatically back. "Let me get all this straight. You mean the bomb
|
|
is finished? Ready to go?"
|
|
|
|
Paddington nodded impatiently. "That's what I said. The Technicians are
|
|
checking the turret locks to make sure it's properly attached. The
|
|
launching will take place in half an hour."
|
|
|
|
"Thirty minutes! Then--"
|
|
|
|
"Then the attack can begin at once. I assume the fleet is ready for
|
|
action."
|
|
|
|
"Of course. It's been ready for several days. But I can't believe the
|
|
bomb is ready so soon." Margaret Wheeler moved numbly toward the door of
|
|
her office. "This is a great day, Commissioner. An old era lies behind
|
|
us. This time tomorrow Jorblax will be gone. And eventually the
|
|
colonies will be ours."
|
|
|
|
"It's been a long climb," Paddington murmured.
|
|
|
|
"One thing. Your charge against Gibson. It seems incredible that a
|
|
person of his caliber could ever--"
|
|
|
|
"We'll discuss that later," Paddington interrupted coldly. He pulled the
|
|
manila envelope from his coat. "I haven't had an opportunity to feed
|
|
the additional data to the SRB machines. If you'll excuse me, I'll do
|
|
that now."
|
|
|
|
* * * * *
|
|
|
|
For a moment Margaret Wheeler stood at the door. The two of them faced
|
|
each other silently, neither speaking, a faint smile on Paddington's
|
|
thin lips, hostility in the woman's blue eyes.
|
|
|
|
"Paddington, sometimes I think perhaps you'll go too far. And sometimes
|
|
I think you've _already_ gone too far...."
|
|
|
|
"I'll inform you of any change in the odds showing." Paddington strode
|
|
past her, out of the office and down the hall. He headed toward the
|
|
SRB room, an intense thalamic excitement rising up inside him.
|
|
|
|
A few moments later he entered the SRB room. He made his way to the
|
|
machines. The odds 7-6 showed in the view windows. Paddington smiled a
|
|
little. 7-6. False odds, based on incorrect information. Now they
|
|
could be removed.
|
|
|
|
Jeremy hurried over. Paddington handed him the envelope, and moved over
|
|
to the window, gazing down at the scene below. Men and cars scurried
|
|
frantically everywhere. Officials coming and going like ants, hurrying
|
|
in all directions.
|
|
|
|
The war was on. The signal had been sent out to the warfleet that had
|
|
waited so long near Jorblax. A feeling of triumph raced
|
|
through Paddington. He had won. He had destroyed the man from the past
|
|
and broken Peter Gibson. The war had begun as planned. Terra was
|
|
breaking out. Paddington smiled thinly. He had been completely
|
|
successful.
|
|
|
|
"Commissioner."
|
|
|
|
Paddington turned slowly. "All right."
|
|
|
|
Jeremy was standing in front of the machines, gazing down at the
|
|
reading. "Commissioner--"
|
|
|
|
Sudden alarm plucked at Paddington. There was something in Jeremy's
|
|
voice. He hurried quickly over. "What is it?"
|
|
|
|
Jeremy looked up at him, his face white, his eyes wide with terror.
|
|
His mouth opened and closed, but no sound came.
|
|
|
|
"_What is it?_" Paddington demanded, chilled. He bent toward the
|
|
machines, studying the reading.
|
|
|
|
And sickened with horror.
|
|
|
|
100-1. _Against_ Terra!
|
|
|
|
He could not tear his gaze away from the figures. He was numb, shocked
|
|
with disbelief. 100-1. _What had happened?_ What had gone wrong? The
|
|
turret was finished, Icarus was ready, the fleet had been notified--
|
|
|
|
There was a sudden deep buzz from outside the building. Shouts drifted
|
|
up from below. Paddington turned his head slowly toward the window, his
|
|
heart frozen with fear.
|
|
|
|
Across the evening sky a trail moved, rising each moment. A thin line
|
|
of white. Something climbed, gaining speed each moment. On the ground,
|
|
all eyes were turned toward it, awed faces peering up.
|
|
|
|
The object gained speed. Faster and faster. Then it vanished. Icarus
|
|
was on his way. The attack had begun; it was too late to stop, now.
|
|
|
|
And on the machines the odds read a hundred to one--for failure.
|
|
|
|
At eight o'clock in the evening of May 15, 2136, Icarus was launched
|
|
toward the star Jorblax. A day later, while all Terra waited, Icarus
|
|
entered the star, traveling at thousands of times the speed of light.
|
|
|
|
Nothing happened. Icarus disappeared into the star. There was no
|
|
explosion. The bomb failed to go off.
|
|
|
|
At the same time the Terran warfleet engaged the Jorblaxian outer
|
|
fleet, sweeping down in a concentrated attack. Twenty major ships were
|
|
seized. A good part of the Jorblaxian fleet was destroyed. Many of the
|
|
captive systems began to revolt, in the hope of throwing off the
|
|
Imperial bonds.
|
|
|
|
Two hours later the massed Jorblaxian warfleet from Armun abruptly
|
|
appeared and joined battle. The great struggle illuminated half the
|
|
Jorblaxian system. Ship after ship flashed briefly and then faded to
|
|
ash. For a whole day the two fleets fought, strung out over millions
|
|
of miles of space. Innumerable fighting men died--on both sides.
|
|
|
|
At last the remains of the battered Terran fleet turned and limped
|
|
toward Armun--defeated. Little of the once impressive armada remained.
|
|
A few blackened hulks, making their way uncertainly toward captivity.
|
|
|
|
Icarus had not functioned. Jorblax had not exploded. The attack was
|
|
a failure.
|
|
|
|
The war was over.
|
|
|
|
"We've lost the war," Margaret Wheeler said in a small voice, wondering
|
|
and awed. "It's over. Finished."
|
|
|
|
The Council members sat in their places around the conference table,
|
|
gray-haired elderly men, none of them speaking or moving. All gazed up
|
|
mutely at the great stellar maps that covered two walls of the
|
|
chamber.
|
|
|
|
"I have already empowered negotiators to arrange a truce," Margaret
|
|
Wheeler murmured. "Orders have been sent out to Vice-Commander Dickerson to
|
|
give up the battle. There's no hope. Fleet Commander Tucker
|
|
destroyed himself and his flagship a few minutes ago. The Jorblaxian
|
|
High Council has agreed to end the fighting. Their whole Empire is
|
|
rotten to the core. Ready to topple of its own weight."
|
|
|
|
Paddington was slumped over at the table, his head in his hands. "I
|
|
don't understand.... _Why?_ Why didn't the bomb explode?" He mopped
|
|
his forehead shakily. All his poise was gone. He was trembling and
|
|
broken. "_What went wrong?_"
|
|
|
|
Gray-faced, Dixon mumbled an answer. "The variable man must have
|
|
sabotaged the turret. The SRB machines knew.... They analyzed the
|
|
data. _They knew!_ But it was too late."
|
|
|
|
Paddington's eyes were bleak with despair as he raised his head a
|
|
little. "I knew he'd destroy us. We're finished. A century of work and
|
|
planning." His body knotted in a spasm of furious agony. "All because
|
|
of Gibson!"
|
|
|
|
* * * * *
|
|
|
|
Margaret Wheeler eyed Paddington coldly. "Why because of Gibson?"
|
|
|
|
"He kept Milsom alive! I wanted him killed from the start." Suddenly
|
|
Paddington jumped from his chair. His hand clutched convulsively at his
|
|
gun. "And he's _still_ alive! Even if we've lost I'm going to have the
|
|
pleasure of putting a blast beam through Milsom's chest!"
|
|
|
|
"Sit down!" Margaret Wheeler ordered.
|
|
|
|
Paddington was half way to the door. "He's still at the Euthanasia
|
|
Ministry, waiting for the official--"
|
|
|
|
"No, he's not," Margaret Wheeler said.
|
|
|
|
Paddington froze. He turned slowly, as if unable to believe his senses.
|
|
"_What?_"
|
|
|
|
"Milsom isn't at the Ministry. I ordered him transferred and your
|
|
instructions cancelled."
|
|
|
|
"Where--where is he?"
|
|
|
|
There was unusual hardness in Margaret Wheeler's voice as she answered.
|
|
"With Peter Gibson. In the Urals. I had Gibson's full authority
|
|
restored. I then had Milsom transferred there, put in Gibson's safe
|
|
keeping. I want to make sure Milsom recovers, so we can keep our promise
|
|
to him--our promise to return him to his own time."
|
|
|
|
Paddington's mouth opened and closed. All the color had drained from his
|
|
face. His cheek muscles twitched spasmodically. At last he managed to
|
|
speak. "You've gone insane! The traitor responsible for Earth's
|
|
greatest defeat--"
|
|
|
|
"We have lost the war," Margaret Wheeler stated quietly. "But this is
|
|
not a day of defeat. It is a day of victory. The most incredible
|
|
victory Terra has ever had."
|
|
|
|
Paddington and Dixon were dumbfounded. "What--" Paddington gasped. "What
|
|
do you--" The whole room was in an uproar. All the Council members
|
|
were on their feet. Paddington's words were drowned out.
|
|
|
|
"Gibson will explain when he gets here," Margaret Wheeler's calm voice
|
|
came. "He's the one who discovered it." She looked around the chamber
|
|
at the incredulous Council members. "Everyone stay in his seat. You
|
|
are all to remain here until Gibson arrives. It's vital you hear
|
|
what he has to say. His news transforms this whole situation."
|
|
|
|
* * * * *
|
|
|
|
Peter Gibson accepted the briefcase of papers from his armed
|
|
technician. "Thanks." He pushed his chair back and glanced
|
|
thoughtfully around the Council chamber. "Is everybody ready to hear
|
|
what I have to say?"
|
|
|
|
"We're ready," Margaret Wheeler answered. The Council members sat
|
|
alertly around the table. At the far end, Paddington and Dixon watched
|
|
uneasily as the big Pole removed papers from his briefcase and
|
|
carefully examined them.
|
|
|
|
"To begin, I recall to you the original work behind the ftl bomb.
|
|
Douglas West was the first human to propel an object at a speed
|
|
greater than light. As you know, that object diminished in length and
|
|
gained in mass as it moved toward light speed. When it reached that
|
|
speed it vanished. It ceased to exist in our terms. Having no length
|
|
it could not occupy space. It rose to a different order of existence.
|
|
|
|
"When West tried to bring the object back, an explosion occurred.
|
|
West was killed, and all his equipment was destroyed. The force of
|
|
the blast was beyond calculation. West had placed his observation
|
|
ship many millions of miles away. It was not far enough, however.
|
|
Originally, he had hoped his drive might be used for space travel. But
|
|
after his death the principle was abandoned.
|
|
|
|
"That is--until Icarus. I saw the possibilities of a bomb, an
|
|
incredibly powerful bomb to destroy Jorblax and all the Empire's
|
|
forces. The reappearance of Icarus would mean the annihilation of
|
|
their System. As West had shown, the object would re-enter space
|
|
already occupied by matter, and the cataclysm would be beyond belief."
|
|
|
|
"But Icarus never came back," Paddington cried. "Milsom altered the wiring
|
|
so the bomb kept on going. It's probably still going."
|
|
|
|
"Wrong," Gibson boomed. "The bomb _did_ reappear. But it didn't
|
|
explode."
|
|
|
|
Paddington reacted violently. "You mean--"
|
|
|
|
"The bomb came back, dropping below the ftl speed as soon as it
|
|
entered the star. But it did not explode. There was no
|
|
cataclysm. It reappeared and was absorbed by the sun, turned into gas
|
|
at once."
|
|
|
|
"Why didn't it explode?" Dixon demanded.
|
|
|
|
"Because Edward Milsom solved West's problem. He found a way to bring
|
|
the ftl object back into this universe without collision. Without an
|
|
explosion. The variable man found what West was after...."
|
|
|
|
The whole Council was on its feet. A growing murmur filled the
|
|
chamber, a rising pandemonium breaking out on all sides.
|
|
|
|
"I don't believe it!" Paddington gasped. "It isn't possible. If Milsom
|
|
solved West's problem that would mean--" He broke off, staggered.
|
|
|
|
"Faster than light drive can now be used for space travel," Gibson
|
|
continued, waving the noise down. "As West intended. My men have
|
|
studied the photographs of the control turret. They don't know _how_
|
|
or _why_, yet. But we have complete records of the turret. We can
|
|
duplicate the wiring, as soon as the laboratories have been repaired."
|
|
|
|
Comprehension was gradually beginning to settle over the room. "Then
|
|
it'll be possible to build ftl ships," Margaret Wheeler murmured, dazed.
|
|
"And if we can do that--"
|
|
|
|
"When I showed him the control turret, Milsom understood its purpose.
|
|
Not _my_ purpose, but the original purpose West had been working
|
|
toward. Milsom realized Icarus was actually an incomplete spaceship, not
|
|
a bomb at all. He saw what West had seen, an ftl space drive. He set
|
|
out to make Icarus work."
|
|
|
|
"We can go _beyond_ Jorblax," Dixon muttered. His lips twisted.
|
|
"Then the war was trivial. We can leave the Empire completely behind.
|
|
We can go beyond the galaxy."
|
|
|
|
"The whole universe is open to us," Gibson agreed. "Instead of
|
|
taking over an antiquated Empire, we have the entire cosmos to map and
|
|
explore, God's total creation."
|
|
|
|
Margaret Wheeler got to her feet and moved slowly toward the great
|
|
stellar maps that towered above them at the far end of the chamber.
|
|
She stood for a long time, gazing up at the myriad suns, the legions
|
|
of systems, awed by what she saw.
|
|
|
|
"Do you suppose he realized all this?" she asked suddenly. "What we
|
|
can see, here on these maps?"
|
|
|
|
"Edward Milsom is a strange person," Gibson said, half to himself.
|
|
"Apparently he has a kind of intuition about machines, the way things
|
|
are supposed to work. An intuition more in his hands than in his head.
|
|
A kind of genius, such as a painter or a pianist has. Not a scientist.
|
|
He has no verbal knowledge about things, no semantic references. He
|
|
deals with the things themselves. Directly.
|
|
|
|
"I doubt very much if Edward Milsom understood what would come about. He
|
|
looked into the globe, the control turret. He saw unfinished wiring
|
|
and relays. He saw a job half done. An incomplete machine."
|
|
|
|
"Something to be fixed," Margaret Wheeler put in.
|
|
|
|
"Something to be fixed. Like an artist, he saw his work ahead of him.
|
|
He was interested in only one thing: turning out the best job he
|
|
could, with the skill he possessed. For us, that skill has opened up a
|
|
whole universe, endless galaxies and systems to explore. Worlds
|
|
without end. Unlimited, _untouched_ worlds."
|
|
|
|
Paddington got unsteadily to his feet. "We better get to work. Start
|
|
organizing construction teams. Exploration crews. We'll have to
|
|
reconvert from war production to ship designing. Begin the manufacture
|
|
of mining and scientific instruments for survey work."
|
|
|
|
"That's right," Margaret Wheeler said. She looked reflectively up at
|
|
him. "But you're not going to have anything to do with it."
|
|
|
|
Paddington saw the expression on her face. His hand flew to his gun and
|
|
he backed quickly toward the door. Dixon leaped up and joined him.
|
|
"Get back!" Paddington shouted.
|
|
|
|
Margaret Wheeler signalled and a phalanx of Government troops closed in
|
|
around the two men. Grim-faced, efficient soldiers with magnetic
|
|
grapples ready.
|
|
|
|
Paddington's blaster wavered--toward the Council members sitting shocked
|
|
in their seats, and toward Margaret Wheeler, straight at her blue eyes.
|
|
Paddington's features were distorted with insane fear. "Get back! Don't
|
|
anybody come near me or she'll be the first to get it!"
|
|
|
|
Peter Gibson slid from the table and with one great stride swept his
|
|
immense bulk in front of Paddington. His huge black-furred fist rose in
|
|
a smashing arc. Paddington sailed against the wall, struck with ringing
|
|
force and then slid slowly to the floor.
|
|
|
|
The Government troops threw their grapples quickly around him and
|
|
jerked him to his feet. His body was frozen rigid. Blood dripped from
|
|
his mouth. He spat bits of tooth, his eyes glazed over. Dixon stood
|
|
dazed, mouth open, uncomprehending, as the grapples closed around his
|
|
arms and legs.
|
|
|
|
Paddington's gun skidded to the floor as he was yanked toward the door.
|
|
One of the elderly Council members picked the gun up and examined it
|
|
curiously. He laid it carefully on the table. "Fully loaded," he
|
|
murmured. "Ready to fire."
|
|
|
|
Paddington's battered face was dark with hate. "I should have killed all
|
|
of you. _All_ of you!" An ugly sneer twisted across his shredded lips.
|
|
"If I could get my hands loose--"
|
|
|
|
"You won't," Margaret Wheeler said. "You might as well not even bother
|
|
to think about it." She signalled to the troops and they pulled
|
|
Paddington and Dixon roughly out of the room, two dazed figures,
|
|
snarling and resentful.
|
|
|
|
For a moment the room was silent. Then the Council members shuffled
|
|
nervously in their seats, beginning to breathe again.
|
|
|
|
Gibson came over and put his big paw on Margaret Wheeler's shoulder.
|
|
"Are you all right, Margaret?"
|
|
|
|
She smiled faintly. "I'm fine. Thanks...."
|
|
|
|
Gibson touched her soft hair briefly. Then he broke away and began
|
|
to pack up his briefcase busily. "I have to go. I'll get in touch with
|
|
you later."
|
|
|
|
"Where are you going?" she asked hesitantly. "Can't you stay and--"
|
|
|
|
"I have to get back to the Urals." Gibson grinned at her over his
|
|
bushy black beard as he headed out of the room. "Some very important
|
|
business to attend to."
|
|
|
|
* * * * *
|
|
|
|
Edward Milsom was sitting up in bed when Gibson came to the door. Most
|
|
of his awkward, hunched-over body was sealed in a thin envelope of
|
|
transparent airproof plastic. Two robot attendants whirred ceaselessly
|
|
at his side, their leads contacting his pulse, blood-pressure,
|
|
respiration, body temperature.
|
|
|
|
Milsom turned a little as the huge Pole tossed down his briefcase and
|
|
seated himself on the window ledge.
|
|
|
|
"How are you feeling?" Gibson asked him.
|
|
|
|
"Better."
|
|
|
|
"You see we've quite advanced therapy. Your burns should be healed in
|
|
a few months."
|
|
|
|
"How is the war coming?"
|
|
|
|
"The war is over."
|
|
|
|
Milsom's lips moved. "Icarus--"
|
|
|
|
"Icarus went as expected. As _you_ expected." Gibson leaned toward
|
|
the bed. "Milsom, I promised you something. I mean to keep my
|
|
promise--as soon as you're well enough."
|
|
|
|
"To return me to my own time?"
|
|
|
|
"That's right. It's a relatively simple matter, now that Paddington has
|
|
been removed from power. You'll be back home again, back in your own
|
|
time, your own world. We can supply you with some discs of platinum or
|
|
something of the kind to finance your business. You'll need a new
|
|
Fixit truck. Tools. And clothes. A few thousand dollars ought to do
|
|
it."
|
|
|
|
Milsom was silent.
|
|
|
|
"I've already contacted histo-research," Gibson continued. "The time
|
|
bubble is ready as soon as you are. We're somewhat beholden to you, as
|
|
you probably realize. You've made it possible for us to actualize our
|
|
greatest dream. The whole planet is seething with excitement. We're
|
|
changing our economy over from war to--"
|
|
|
|
"They don't resent what happened? The dud must have made an awful lot
|
|
of people feel downright bad."
|
|
|
|
"At first. But they got over it--as soon as they understood what was
|
|
ahead. Too bad you won't be here to see it, Milsom. A whole world
|
|
breaking loose. Bursting out into the universe. They want me to have
|
|
an ftl ship ready by the end of the week! Thousands of applications
|
|
are already on file, men and women wanting to get in on the initial
|
|
flight."
|
|
|
|
Milsom smiled a little, "There won't be any band, there. No parade or
|
|
welcoming committee waiting for them."
|
|
|
|
"Maybe not. Maybe the first ship will wind up on some dead world,
|
|
nothing but sand and dried salt. But everybody wants to go. It's
|
|
almost like a holiday. People running around and shouting and throwing
|
|
things in the streets.
|
|
|
|
"Afraid I must get back to the labs. Lots of reconstruction work being
|
|
started." Gibson dug into his bulging briefcase. "By the way.... One
|
|
little thing. While you're recovering here, you might like to look at
|
|
these." He tossed a handful of schematics on the bed.
|
|
|
|
Milsom picked them up slowly. "What's this?"
|
|
|
|
"Just a little thing I designed." Gibson arose and lumbered toward
|
|
the door. "We're realigning our political structure to eliminate any
|
|
recurrence of the Paddington affair. This will block any more one-man
|
|
power grabs." He jabbed a thick finger at the schematics. "It'll turn
|
|
power over to all of us, not to just a limited number one person could
|
|
dominate--the way Paddington dominated the Council.
|
|
|
|
"This gimmick makes it possible for citizens to raise and decide
|
|
issues directly. They won't have to wait for the Council to verbalize
|
|
a measure. Any citizen can transmit his will with one of these, make
|
|
his needs register on a central control that automatically responds.
|
|
When a large enough segment of the population wants a certain thing
|
|
done, these little gadgets set up an active field that touches all the
|
|
others. An issue won't have to go through a formal Council. The
|
|
citizens can express their will long before any bunch of gray-haired
|
|
old men could get around to it."
|
|
|
|
* * * * *
|
|
|
|
Gibson broke off, frowning.
|
|
|
|
"Of course," he continued slowly, "there's one little detail...."
|
|
|
|
"What's that?"
|
|
|
|
"I haven't been able to get a model to function. A few bugs.... Such
|
|
intricate work never was in my line." He paused at the door. "Well, I
|
|
hope I'll see you again before you go. Maybe if you feel well enough
|
|
later on we could get together for one last talk. Maybe have dinner
|
|
together sometime. Eh?"
|
|
|
|
But Edward Milsom wasn't listening. He was bent over the schematics, an
|
|
intense frown on his weathered face. His long fingers moved restlessly
|
|
over the schematics, tracing wiring and terminals. His lips moved as
|
|
he calculated.
|
|
|
|
Gibson waited a moment. Then he stepped out into the hall and softly
|
|
closed the door after him.
|
|
|
|
He whistled merrily as he strode off down the corridor.
|